Sydney People! Don’t miss this chance! Plus a couple of pictures from that beautiful photoshoot:
A unique and engaging evening with renowned actor Cate Blanchett.
Come and hear Blanchett engage in a wide-ranging and unscripted conversation about her experiences and her multiple roles – from being co-Artistic Director of the Sydney Theatre Company to managing an international career while based in Sydney and raising a young family.
She will talk candidly about her life, her acting accomplishments and her views on everything from raising sons as a feminist in today’s world, to her fears about climate change, to why it is that women are – still – not treated equally.
Cate Blanchett’s accomplishments are extraordinary: two Academy Awards, three Golden Globes, three BAFTAs, three SAG Awards and four AFI Awards for her film work and many other honours for her stage work.
Now we will have the opportunity to see and hear Cate Blanchett on the very stage where she created some of her greatest roles.
One night only: Thursday 26 June 6.30pm
Here’s the article from the STC Magazine:
For one night only at Sydney Theatre, Walsh Bay, Anne Summers will be hosting a unique and engaging evening with Cate Blanchett. Cate and Anne will talk candidly about being the former Co-Artistic Director of STC, managing an international career while based in Sydney and raising a young family.
Ahead of this event, we’ve provided a short extract from a previous interview with Cate, from the Anne Summers Reports magazine (number 8, June 2014 edition).
The turning point in Cate Blanchett’s career was her remarkable performance in Elizabeth in 1998. But after that role, all the scripts that were sent to her “were basically different costumes, same dilemma”, she said. “And I thought, gosh, you get typecast quickly.”
But “there was a small part playing a Long Island housewife in a film with John Cusack and Billy Bob Thornton so I took that”. That film was Pushing Tin (1999) by the English director Mike Newell who, before he directed Harry Potter and the Goblet of Fire
in 2005, was best known for Four Weddings and a Funeral. Blanchett took this small role, not so much to confound expectations, but “because I didn’t necessarily know that I could do it. I thought, I haven’t done that before”.
So much of what she has done in film has been to do things she has not done before. Playing Bob Dylan in Todd Haynes’ I’m Not There (2007), for one thing. Or her most recent role Carol, another Haynes film based on Patricia Highsmith’s novel The Price of Salt, in which Blanchett plays an older married woman who in 1950s New York has a relationship with a young woman sales clerk. (It was Blanchett’s performance in The Talented Mr Ripley, another Highsmith adaptation, that supposedly caught Allen’s eye and led him to cast her in Blue Jasmine.)
But it was the call from Martin Scorsese that really threw her.
“My knees were sweating when I was talking to Scorsese,” she tells me. “I was devastated when I got off the phone, and Andrew said ‘What did he say?’ and I was so down in the mouth, I said, ‘He’s asked me to play Katharine Hepburn and I am going to have to say yes because of course you can’t say no to Scorsese’ but I thought, this is it, this is over, this is career suicide to play Katharine Hepburn in the medium in which she was so iconically known and loved. It’s suicide.”
Instead, the role gave Blanchett her first Oscar. The woman who says she is “endlessly disappointed in herself “-by which she means in her performances-the actor who agrees with Martha Graham that no artist is ever satisfied, and that it’s “this blessed unrest” that keeps her going, stunned audiences with her portrayal of Hepburn. From then on, she could do anything.
An illuminating evening with Cate Blanchett: In conversation with Anne Summer with audience Q&A
26 June 2014, Sydney Theatre