Cate Blanchett at The Fashion Awards 2019
Posted on
Dec 5, 2019

Cate Blanchett at The Fashion Awards 2019

Hi blanchetters!

Last Monday, actress Cate Blanchett was at The British Fashion Awards 2019 in London. She and Julia Roberts, among other famous guests like Tom Cruise, Naomi Campbell, attended the event where Giorgio Armani was honored with the Outstanding Achievement Award.

Looking stunning in an Armani Privé dress from the Fall 2019 Collection, Cate, who is the first global beauty ambassador for the Italian brand, took the stage to celebrate the relationship with the 85-year-old designer alongside Roberts.

The award is a recognition of Mr. Armani 45 remarkable years in fashion, with many iconic tailored suits and gowns for Hollywood.

Cate has a long partnership with Mr. Armani, in fact, according to some interviews, her first paycheck went to a suit she still has! Over the years Cate has been seen in many fashion pieces from the designer, they also collaborated in film, during the Sydney Theatre Company years, and, since 2013, Cate became the face of the successful fragrance Sì.

Mr. Armani also designed the gown Cate was wearing when she became a two-time Oscar winner in 2014.

Discover below some photos and videos from Cate Blanchett at The Fashion Awards 2019. Enjoy the reading!







Cate Blanchett and Armani at the stage of The Fashion Awards 2019



 

 

CGNTculture

UPDATES: News on Mrs. America and Stateless series starring Cate Blanchett
Posted on
May 19, 2019

UPDATES: News on Mrs. America and Stateless series starring Cate Blanchett

Hey Blanchetters!

Things are pretty quiet in Cateland right?
But we had quite the week with Cate’s 50th birthday. So many beautiful messages and actions from the fans!

During the past few weeks some news became available on the two new series projects Cate is attached to.
Firstly, we have the CBS / FX Network mini series Mrs. America where Cate will play Phyllis Schlafly, the conservative woman who helped defeat the Equal Rights Amendment initiative that would guarantee the equal rights of women (USA).

Blanchett is also in executive production of this limited series and she will be joined by stars James Marsden, Sarah Paulson, Uzo Aduba (as Shirley Chisholm), Rose Byrne (as Gloria Steinem), Margo Matindale (as Bella Abzug), Tracey Ullman (as Betty Friedan), Kayli Carter, Ari Graynor, Melanie Lynskey, John Slattery and Jeanne Tripplehorn.

“I am extremely excited about delving into the material as there couldn’t be a more appropriate time to peel back the layers of this recent period of history, which couldn’t be more relevant today,” Blanchett said in a statement.

Created by Dahvi Waller, the series has a nine-episode arc and the production is set to start this year, with filming from 19th June until November 1st in Toronto, Canada.

Cate will have a busy second semester! She is also going to produce an Australian TV Series.

Stateless is a new TV series about immigration detention in Australia co-created by Cate Blanchett, Tony Ayres and Elise McCredie. Cate will star in the series and, alongside with Andrew Upton, will also act as executive producer of this Australian Broadcasting Corporation limited series.

McCredie and Belinda Chayko are writing the series that will be directed by Jocelyn Moorhouse (The Dressmaker) and Emma Freedman.

Blanchett said while the story was focused on Australia, it explored global themes: “The desire for personal freedom, the need for social stability, an escalating lack of faith in the political process and the deeply unsettling impact this has on individual lives.”

The cast also includes Yvonne Strahovski (The Handmaid’s Tale), Dominic West (The Affair), Rachel House, Jai Courtney, Clarence Ryan, Fayssal Bazzi, Claude Jabbour, Rose Riley, Kate Box, Helana Sawires and Asher Keddie.

Inspired by real events, Stateless tells the story of four strangers in an Australian immigration centre: an airline hostess leaving a cult, an Afghan refugee escaping persecution, a father saddled with a dead-end job, and a bureaucrat steeped in a national scandal.

Stateless is expected to air on the ABC in 2020 , it will be distributed worldwide by NBCUniversal. Production is set to begin in June.

Stay tuned!!!

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Cate Blanchett at The Louis Vuitton Cruise 2020 show – First look
Posted on
May 10, 2019

Cate Blanchett at The Louis Vuitton Cruise 2020 show – First look

Hey Blanchetters!

Long time no see!

On Wednesday, May 8, Cate Blanchett attended the Louis Vuitton Cruise 2020 show that took place in the center of the TWA Flight Center at JFK airport, New York. Cate was at the front row of the fashion show alongside Emma Stone, Julianne Moore, Alicia Vikander, Michelle Williams and other famous #LVCRUISE guests. Here are some photos! Enjoy!


Cate Blanchett on her new movie “Where’d You Go, Bernadette”
Posted on
Apr 29, 2019

Cate Blanchett on her new movie “Where’d You Go, Bernadette”

Hello Blanchetters!!

Cate Blanchett and director Richard Linklater talked to Entertainment Weekly about their new movie Where’d You Go, Bernadette. The article/interview available in the Summer Movie preview issue also features a new still of the production. We added this image to the gallery and also the other one released by Fandango last week. Read the article below and enjoy the new images!!!


How Cate Blanchett and Richard Linklater figured out Where’d You Go, Bernadette

Figuring out Bernadette Fox wasn’t easy for Cate Blanchett. “It wasn’t just how complex and painfully absurd her life is, but the brittle way she pits herself against the world,” the actress, 49, says. “In the end, the trickiest thing was tone. It’s one thing to listen to an unrelenting sardonic inner voice in a novel, and another thing entirely to hear it on screen.”

Fans of Maria Semple’s Where’d You Go, Bernadette should know what she’s talking about. The 2012 novel, which spent more than a year on the New York Times best-seller list, presents significant challenges for a big-screen adaptation, particularly Semple’s uniquely sarcastic voice and her use of catty emails, phone transcripts, and police reports to drive the narrative. A once-renowned architect, Bernadette retreats into a shell of her former self after she gets married and has children. And then she vanishes to Antarctica(!), leaving her plucky 14-year-old daughter, Bee (Emma Nelson), to solve the mystery of what happened, and why.

All involved with the adaptation immediately connected with the book upon reading it. Blanchett, particularly, vividly recounts her first experience with it: “It was the first of Maria’s books I read and I ate it alive — I was unprepared and embarrassingly, I read it on a plane. Weeping and laughing and nearly peeing my pants in public. But I couldn’t put it down.” Nelson, making her feature-film debut in Bernadette, read Semple’s novel after getting a callback for the part, but before reading the script. “Especially for someone my age, [Bee] is not a character you usually see in books: I think I appreciated that aspect,” she says. “It showed her as not somebody that was in the way of things or acting childish, but rather, somebody driving the story and driving her own determination.”

As for the vision of director Richard Linklater (Boyhood)? “I concentrated on what I felt the book was really about at its emotional core, which was an intense portrait of motherhood,” he says. “For someone else who loves the book, their favorite part might be something else. You’ve got to jump in as a storyteller and say, ‘Well, this is my version.’ There’s no one version of any book or story. [It’s] what you’re moved by and what you personally want to explore via this story and these characters.” Linklater believes, for instance, that another filmmaker might have leaned more heavily into the broad comedy of Semple’s work. Linklater, conversely, was attracted to its humanity.

This meant working closely with Blanchett and Nelson during an entire month of rehearsals. “We talked through everything,” Nelson says. “‘Is this part of my character? Would I say this? Is this how the conversation would really go?’” Blanchett has nothing but praise for the process: “[Richard Linklater] sits and chats and reads with the actors as he writes…It was a hilarious and touching process. I adore him.”

Blanchett describes the collaboration as a “fascinating challenge,” but always felt intimately connected to her character. “I think so many women relate to Bernadette: She’s someone who has been eaten alive by failure and buried her creative identity in child-rearing,” she says. “Haven’t we all thought at one point, ‘Oh, s—, this mess is all too much. [Wouldn’t it] just be easiest to disappear?’”

The film opens in theaters on Aug. 16.

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Cate Blanchett covers Mujer Hoy Spain + Ellen von Unwerth’s VON magazine
Posted on
Apr 27, 2019

Cate Blanchett covers Mujer Hoy Spain + Ellen von Unwerth’s VON magazine

Hey Blanchetters!

Two more covers to be added to our 2019 collection! Cate Blanchett is featured in two new magazines. First, we have the latest issue of Mujer Hoy in which there is a promotional interview for Sì Fiori and Armani Beauty. Then the long waited photoshoot by Ellen von Unwerth made last year during Cannes Film Festival that will be featured on the n°2-2 of Ellen von Unwerth’s VON magazine, the cinema issue, available in May. Take a look!

Cate Blanchett: “Este es un momento decisivo y fascinante para todas”

Las mujeres no pueden dejar de mirarla. Lo tenemos comprobado. El famoso vídeo viral en el que la actriz Kathryn Hahn observa embelesada a Rachel Weisz se queda corto ante el efecto Cate Blanchett. La primera vez que observamos el fenómeno en Mujerhoy fue hace casi una década. A las puertas de una fiesta de gala en Ginebra, Cate conversaba con unos amigos, magnífica y etérea. Todas las mujeres que pasaban a su lado la recorrían de arriba abajo con la mirada. No eran celos, era admiración en estado puro. Los hombres, sin embargo, no se sentían impelidos a mirar.

Las pruebas irrefutables nos las ofreció la prensa internacional en Londres hace apenas unas semanas. Fue en la cena de presentación oficial de Sì Fiori, el nuevo perfume de Giorgio Armani del que, por supuesto, es musa. A los postres, la actriz se sentó unos minutos en cada una de las mesas para charlar con los invitados, una mayoría abrumadora de mujeres. A su alrededor se formaba un corro de rostros absortos, miradas de fascinación, algunas bocas abiertas y gestos de asentimiento absoluto. “Todavía tengo dos horas de coche hasta mi casa en el campo. Estoy encantada con mi jardín, está inspirado en el trabajo de Darwin”, era el tipo de cosas mundanas que relataba Cate. Y la audiencia asentía entregada, como si le escucharan recitar Shakespeare solo para ellas.

Cálida y cercana
Nadie es inmune al hechizo de Blanchett. En las distancias cortas es imposible no dejarte llevar por ese timbre cadencioso, por esa presencia imponente y serena. De sus respuestas educadas se puede inferir que su familia está por encima de todo; que su concepto de la belleza va más allá de aplicarse cremas; que el cuidado del interior es lo que se muestra en el exterior (un mantra que lleva a rajatabla); que, como a los hobbits de la Comarca, un paseo por los alrededores de su casa en la compañía adecuada es una experiencia tan plena como cualquier viaje a un destino lejano. “Es mi idea de un día perfecto: salir al campo con los niños y los perros, y que la jornada termine de una forma inesperada y sorprendente que no habrías imaginado al despertar”, asegura. La normalidad hecha perfección rural.

Cate y su marido, el dramaturgo Andrew Upton, se trasladaron a vivir a la campiña inglesa de Sussex hace un par de años. Con ellos vinieron sus tres hijos adolescentes (Dashiell, 17; Roman, 15; e Ignatius, 11) y su hija adoptada de cuatro años, Edith. Un cambio de registro tras casi una década asentados en Sidney que le ha permitido volver al West End de Londres con obras como When we have sufficiently tortured each other, de Martin Crimp. Un contrapunto crudo y transgresor al extensísimo repertorio de una actriz que, como le dijo una vez su hermana Genevieve, se funde con cada personaje hasta que ella misma desaparece completamente de la escena. Y solo quedan reinas legendarias, elfas mitológicas, diosas escandinavas, amas de casa en crisis moral, sexual y social, damas de alta sociedad venidas a menos…

Mujeres al poder
Ella, que las ha interpretado a todas (y se ha hecho con dos premios Óscar por el camino), entiende que las mujeres están ahora en una encrucijada. “Es un momento decisivo y potencialmente fascinante para todas. Estamos en el proceso de convertirnos en algo. Pero no solo nosotras, creo que tenemos que llevar a los hombres a nuestro lado. Lo realmente apasionante de este preciso momento de la historia es que se ha escuchado a las mujeres. Pero no como individuos concretos, sino como grupo. Lo que estamos aceptando es que somos seres humanos increíbles”. Lo dice con la sabiduría de los 50 años que cumple el 14 de mayo.

Justo ahora, Cate se convierte en la nueva imagen global de Giorgio Armani Beauty. Eso significa que, además de encarnar a la heroína optimista, elegante y todopoderosa de la familia de fragancias Sì, también va a ser embajadora del maquillaje y del tratamiento de la firma que pilota el creador italiano. “El último de los grandes de la moda, ahora que hemos perdido a Karl Lagerfeld”, apunta

Sabe que el cine del que es estrella indiscutible ha ayudado al genio a definir un nuevo tipo de feminidad. “Su estética me influyó mucho antes de conocerlo”. Lo dice porque el diseñador fue la piedra angular de su armario con un traje de chaqueta gris que se compró con su primer sueldo cienematográfico. Todavía lo conserva. “Trabajar con el señor Armani ha sido uno de los grandes privilegios de mi vida”, afirma. “Lo que adoro de cómo ve el mundo es que no pierde jamás la curiosidad. No es una presencia creativa estática”, añade.

En la moda y también en los aromas: “A través del perfume que llevas estás invitando a los demás a descubrir tu particular mundo emocional. Es algo muy privado”, postula. Y esas sensaciones la devuelven a la infancia. “De niña me escondía en el armario de mi madre para pensar a oscuras. Su ropa emanaba esa fragancia tan suya. Era peculiar y muy glamourosa. Porque, por supuesto, cuando somos niñas, nuestras madres son siempre las mujeres más elegantes de nuestra existencia”. Una distinción que siempre ha marcado con unos labios rojos. Hasta ahora. “Es curioso, porque solía ser mi esencial de todos los días. Es un tono que claramente te sitúa en el mundo y que dice: “Aquí estoy yo”. Pero ahora apenas lo uso. Quizá en una alfombra roja. Pero soy mucho más de nudes rosas”, concluye.

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Cate Blanchett on Elle Spain for Sì Fiori + Updates
Posted on
Apr 18, 2019

Cate Blanchett on Elle Spain for Sì Fiori + Updates

Hey Blanchetters!

Time for another Sì Fiori promotional interview with Cate Blanchett. This time on the latest issue of Elle Spain. We also updated few contents from Armani Beauty in the gallery. Take a look below and enjoy!




HQ version
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BBC Radio 4 – Bunk Bed episode featuring Cate Blanchett
Posted on
Apr 16, 2019

BBC Radio 4 – Bunk Bed episode featuring Cate Blanchett

Hey everyone!!!

As we announced here a few days ago, Cate Blanchett is the latest guest on Patrick Marber and Peter Curran BBC Radio 4 series entitled Bunk Bed. The podcast episode featuring Cate is now available. Enjoy!

Listen to it here >> https://www.bbc.co.uk/sounds/play/p076j2g5
Download here >> https://www.bbc.co.uk/programmes/p076j2g5

Cate Blanchett as a presenter on Australian Story episode
Posted on
Apr 15, 2019

Cate Blanchett as a presenter on Australian Story episode

Hey Blanchetters!

As we announced here a few days ago, Cate was going to introduce the latest episode of Australian Story featuring Muriel’s Wedding directors, Jocelyn Moorhouse and PJ Hogan. Take a look at the episode entitled The Kids are Alright below.

Cate Blanchett calls for action after report shows parents in performing arts are ‘penalised’
Posted on
Apr 13, 2019

Cate Blanchett calls for action after report shows parents in performing arts are ‘penalised’

Hey everyone!

New article from The stage.

Cate Blanchett is urging action to support performing arts professionals with caring responsibilities, following publication of a report that highlights the “systemic barriers” in the sector.

The report, Balancing Act, has been produced by Parents and Carers in Performing Arts in partnership with Birkbeck, University of London. It reveals that 43% of responders who said they had had left the industry did so because of being a parent.

Balancing Act also shows that six out of 10 respondents rely on a support network outside of their employment. The report says: “Those who lack the social capital to support and subsidise their careers, for example by not having a partner in well-paid employment, or not having family nearby to offer childcare, are particularly disadvantaged.”

Responding to the findings, Blanchett said: “Working in theatre or any creative profession can be very rewarding but comes with its own unique challenges, such as regular late nights, last minute engagements and long periods of time away from home, all of which are amplified when you have family commitments.”

“The Balancing Act report is a welcome and necessary step towards addressing these barriers, which for many prove insurmountable. This call to arms is an opportunity for us all to step up and find the creative solutions needed to giving people the support they need to look after their family while continuing to do the work they love.”

As previously reported by The Stage, the research reveals people with caring duties earn up to £3,000 less annually than their counterparts and are often forced to make a “career and salary sacrifice”.

Key findings include:

• The median earnings for carers is £20,000, with non-carers earning £23,000.
• 76% of carers have had to turn down work because of childcare responsibilities. For freelances, this rises to 85%.
• 44% of women have had to change roles due to childcare duties, compared with 23% of male carers.

PIPA co-founder Cassie Raine said there was an “urgent need to remove systemic barriers to work, and to support and retain experienced and talented people”.

She described the PIPA Best Practice Charter as a “practical solution to addressing tangible barriers to work for many”.

Theatres across the UK bolster childcare support as part of PIPA campaign

Raine also confirmed that PIPA is expanding into dance, music and opera, following funding from Arts Council England.

Source

Jocelyn Moorhouse & Pj Hogan are featured on Australian Story introduced by Cate Blanchett
Posted on
Apr 13, 2019

Jocelyn Moorhouse & Pj Hogan are featured on Australian Story introduced by Cate Blanchett

Hello everybody!

ABC’s Australian Story will have Cate Blanchett as its presenter next Monday. She will be introducing directors Jocelyn Moorhouse & Pj Hogan in the episode called Jocelyn Moorhouse and PJ Hogan – The Kids are Alright. The program offers an intimate portrait of Muriel’s Wedding directors as they speak candidly about the challenges, heartbreak and unexpected joys of living with two severely autistic children and why Moorhouse dropped out of sight and didn’t direct a movie for 18 years.

Australian Story will air Monday, April 15 at 8pm (Australia Time) on ABC and ABC iview.

Episode will be later available HERE

Here are the trailer and photo of Cate shooting her participation*.


https://www.youtube.com/watch?v=4HG6JRwEWQs


Source

*Special thanks to Edith’s Nanny from CBF Chat from sharing this info.