Cate Blanchett on Documentary Now! “Season 53”
Posted on
Aug 6, 2022

Cate Blanchett on Documentary Now! “Season 53”

Hi, everyone!

IFC has unveiled the first look at the latest season of Documentary Now! Cate will appear on Two Hairdressers in Bagglyport episode with Harriet Walter. The fourth season premieres on October 19th, 10pm at IFC and AMC+ with new episodes being released every Wednesday.

“Two Hairdressers in Bagglyport” will star two-time Academy Award®-winner and Documentary Now! alumni Cate Blanchett (Blue Jasmine, Carol), as well as Emmy®-nominated actress Harriet Walter (Succession, Killing Eve). Paying homage to documentaries 3 Salons at the Seaside and The September Issue, the episode is a fly-on-the-wall portrait of a hair salon owner (Walter) and her staff (Blanchett), in the small coastal village of Bagglyport as they prepare their yearly stylebook. Fred Armisen will also star as George the Postman.

Source: AMC

UK/Australia Season Ambassador Cate Blanchett message ahead of Edinburgh Festivals
Posted on
Aug 5, 2022

UK/Australia Season Ambassador Cate Blanchett message ahead of Edinburgh Festivals

Happy Friday, everyone!

UK/Australia Season Ambassador Cate Blanchett sends message ahead of Edinburgh International Festival and Edinburgh Festival Fringe. Cate was named ambassador last year. Watch the video below.

The UK/Australia Season is a major new cultural exchange between Australia and the United Kingdom (UK) celebrating the diverse and innovative artist communities and cultural sectors of each nation. The Season is a joint initiative by the British Council and the Australian Government’s Department of Foreign Affairs and Trade.

The artistic programme ranges across theatre, film, visual arts, dance, design, creative technology, architecture, music, literature, museums, broadcast, public engagement, and features numerous exciting cross-arts commissions. There will be a number of world, UK and Australian premieres. The nationwide programme will span city, regional and rural areas across Australia and the UK.

Source: UK/AU Season

 

 

 

Guillermo Del Toro’s Pinocchio Teaser
Posted on
Jul 27, 2022

Guillermo Del Toro’s Pinocchio Teaser

Hi! Another day, another teaser trailer of a film that Cate worked on.

We also have great news! We are able to keep the site open for another year with the donation we have received from kind fans. We would like to send our deepest gratitude to the following people who donated to the website: Jessica, Frauke, Murtada, Kelly, Joseph, Jade, Yutao, Bronte, Erzsébet, Victoria, Irina, Dolores, Marise.

Netflix has released the teaser for Guillermo Del Toro’s stop-motion animated version of Pinocchio. Cate voiced the monkey, Spazzatura. The film will be released in select theatres in the US in November 2022 before it drops on Netflix in December 2022. Check the teaser below.

Source: Variety

TÁR Teaser
Posted on
Jul 26, 2022

TÁR Teaser

Ciao!

We finally have a teaser for TÁR which is set to premiere at the 79th Venice Film Festival (running from August 31st-September 10th) and will be released in the US on October 7th 2022 and in the UK on January 20th 2023. The film has been selected as part of the main competition category of the festival. The other cast in the film are Noémie Merlant, Nina Hoss, Sophie Kauer, Julian Glover, Allan Corduner, and Mark Strong. The films has a running time of 158 minutes. You can watch the enigmatic teaser below.

TÁR to go to Venice & The School for Good and Evil Release Date
Posted on
Jul 22, 2022

TÁR to go to Venice & The School for Good and Evil Release Date

Happy Friday!

Some great news today, our most anticipated Cate movie this year – TÁR, will have it’s world premiere at the 79th Venice Film Festival. You can also follow the movie’s official social media accounts below. The School for Good and Evil where Cate is the narrator will drop on Netflix on October 21st 2022.

Cate Blanchett Set to Bring New Movies to Venice

Focus Features will be on the Lido with Todd Field’s “Tár,” which teams the “In the Bedroom” director with Cate Blanchett as the fictional Lydia Tár, one of the world’s greatest conductors and the first female conductor of a major German orchestra. Blanchett is a Venice regular who presided over the festival’s main jury in 2020.

Full line up of movies premiering at this year’s festival will be unveiled on July 26th with screening schedule to be released at the middle of August. The festival will run from August 31st to September 10th 2022.

You can followmovie for updates on both instagram and twitter.

Click image to follow

The School for Good and Evil

 

Hosting Renewal Donation Drive
Posted on
Jul 19, 2022

Hosting Renewal Donation Drive

Hello, everyone!

As you know, we to need renew hosting and domain annually. The deadline for hosting renewal is 1 month from now and so far we’ve gathered about US$ 76 (without discounting the PayPal fees).

You can check below the previous mass updates that we have done over the years. We really need your help to keep the site alive and if we can’t make the deadline, we’ll have to close the site for good.

We understand times are tough, but that’s the only way to keep the site online. You can use the buttons below or the ones in the sidebar. Any help is appreciated.

 






Or using QR Code:

You can click each images to view previous mass updates:

April 2017 update

August 2017 update

September 2017 update

December 2017 update

May 2018 update

August 2018 update

December 2018 update

May 2019 update

May 2020 update

May 2021 update

May 2022 update

Disclaimer Set Photos & Glastonbury 2022
Posted on
Jul 16, 2022

Disclaimer Set Photos & Glastonbury 2022

Happy weekend, everyone!

We have our first look at Cate Blanchett as Catherine Ravenscroft in the upcoming Apple TV+ limited series Disclaimer which is directed by Alfonso Cuarón. They were filming at Portobello Road in Notting Hill, London on Friday.

Last month, Cate attended Glastonbury Festival. She was seen watching the set of HAIM with her husband Andrew Upton. She also watched the set of Sir Paul McCartney and was interviewed by BBC. You can watch the interview below.

On set of Alfonso Cuarón’s Disclaimer

Filming of Disclaimer at Notting Hill

Glastonbury 2022

 

 

Cate Blanchett is returning for Season 4 of Documentary Now!
Posted on
Jul 11, 2022

Cate Blanchett is returning for Season 4 of Documentary Now!

Good day!

Cate is returning this year for the fourth season of Documentary Now! which is set to premiere this fall.

Two-time Academy Award winner Cate Blanchett — who previously starred in Documentary Now!‘s Season 3 outing, “Waiting for the Artist” — is ready for an encore, in one of the half-dozen episodes premiering this fall on IFC and AMC+.

Co-created by Fred Armisen, Bill Hader, Seth Meyers and Rhys Thomas, and hosted by Dame Helen Mirren, Documentary Now “lovingly” pays homage to the world of documentaries.

“Two Hairdressers in Bagglyport,” starring Blanchett and Harriet Walter (Killing Eve), takes its cue from fashion documentaries 3 Salons at the Seaside and The September Issue as it offers “a fly-on-the-wall portrait of a hair salon owner (Walter) and her staff (Blanchett), in the small coastal village of Bagglyport as they prepare their yearly stylebook.” Armisen co-stars as George the Postman.

Source: TV Line

In Aid of UNHCR – STIL Lifestyle Auction
Posted on
Jul 2, 2022

In Aid of UNHCR – STIL Lifestyle Auction

Hi, Cate fans!

Cate Blanchett has donated a custom-made suit by Grayscale in support of Ukraine and UNHCR. According to STIL Lifestyle, where some of her pre-owned items has been sold in 2020 in order to raise funds for UNCHR, the suit that Cate donated will be auctioned this Autumn along with other donated items from “most iconic, inspiring, and stylish women”. All proceeds will go to UNHCR.

The Channel 4 documentary “Ukraine: Life Under Attack” that Cate narrated was also co-executive produced by her. Follow the link below to watch.

Click image to watch

 

 

Continue reading In Aid of UNHCR – STIL Lifestyle Auction

Madame Figaro (Magazine Scan)
Posted on
Jul 1, 2022

Madame Figaro (Magazine Scan)

Hello!

Madame Figaro has interviewed Cate Blanchett and Steven Stokey-Daley during LVMH Prize at the beginning of June 2022. The interview below is Google translated. You can check the scan for the original text.

Madame Figaro – July 1st 2022
 

“GOSH … IT’S LIKE AN OSCAR!” The young Englishman Steven Stokey-Daley hugs the golden trophy of the 9th edition of the LVMH Prize, rewarding a promising talent in fashion, an actress multi-Oscar winner, a sublime woman with a magnetic and benevolent gaze, has just presented it to him. On this improvised stage, Cate Blanchett does not play. The Australian-American star is really happy to see the emergence of this young generation of creators focused on beauty and ethics. This prize has already been a springboard for today’s world-renowned creators, such as Nensi Dojaka (winner of the previous edition), Jacquemus or Marine Serre. The endowment of 300,000 euros and mentoring within the LVMH group aim to help the winner develop and promote his brand. Like all the nominees, Steven Stokey-Daley is inhabited by the historical vocation of fashion designers: to make people dream. But also by the new role taken on by this prodigious industry: to be a vector of sustainable development. It is in this spirit that he has designed, under his label S.S.Daley, a collection that diverts the codes of the fan tassed wardrobe of English private schools, a universe opposed to his own since he comes from the working class of Liverpool. Recovered materials, vintage pieces…, he even transformed old napkins dedicated to tea service into patchwork shirts! The 26-year-old designer has already worked for Alexander McQueen and Tom Ford, and also dresses pop star Harry Styles, actress Emma Corrin and singer Dua Lipa.  There’s punk in it, but soft, rounded, dotted with flowery patterns. His fashion thwarts identities and questions the unwritten rules of tradition. And we are delighted, on this British Jubilee Day, to launch this meeting between these two subjects of Her Majesty.

MADAME FIGARO: Steven Stokey-Daley, how do you feel?

STEVEN STOKEY-DALEY: The truth? I did not expect that! I’m still in shock, and so happy!

MF: Cate Blanchett, what did you think of the finalists and the winner?

CATE BLANCHETT: I am amazed by everyone, and I must say quite moved by the message and the story of Steven’s collection, which values British craftsmen. I am originally from Australia, I know the fragility of certain know-how lost forever. I think of those women who mastered old techniques of printing and dyeing fabrics… (She turns to him.) That you managed to show us that with your collection really touched me.

S.S.D: Did you notice? Thanks! In fact, I started working on this collection during the pandemic, in full confinement. Nothing entered the interior of the country, so I made it my mission to find the best local artisans, to highlight our heritage, those who work with silk, spinners and spinners of Scottish wool, weavers  and Irish linen weavers…

MF: Do you think the pandemic has taught us anything or that we will go back to business as before?

S.S.D: This period inevitably changed our outlook and our way of working. Forced to look at what we had in us, inside, we notably rediscovered small local crafts.

CB: I think that the big brands are inspired by this emerging generation of designers who have in their DNA a responsible approach in terms of practice, image and relationships with others. Even in how they treat employees and customers, they drive change.

S.S.D.: My generation shares the same values, it’s almost second nature for us to be eco-responsible. But if I did upcycling, it’s also because I didn’t have the means to buy luxurious fabrics… By pushing me to play with materials that I had already used, sustainable development also allowed me to do my job!

MF: On this subject, you preach a convinced: Cate Blanchett you made the headlines for having walked the red carpet with dresses that you had already worn in the past…

CB: I love beautiful things, and when we have the privilege and the luxury of being able to wear a couture garment made expressly for you, it would not only be sad but inelegant and absurd to wear it only once! You’ll laugh, when I arrived in Cannes with a sumptuous dress, some journalists, looking a little embarrassed for me, slipped me quietly: “I think you’ve already worn it…” I replied: “Yes, I know!” Where I had thought of a form of celebration, they saw inattention…

S.S.D.: This is a way of educating and sensitizing the public: showing the world that a piece of clothing can live for more than the time of an evening, however chic it may be!

MF: Your professions, fashion and cinema shape the imagination and have often accompanied societal changes, sometimes announcing them: do you think this is still the case?

CB: The future is always shaped in the minds of artists. This is where the dream begins. We tell a story and we invite people to enter it whether it’s a film, a fashion collection, a choreography or a book… They enter an imaginary landscape without ideas preconceived, all possibilities open, offered. To come back more specifically to your question, in our respective sectors, even if we are not the worst polluters, we produce quite a lot of waste. We can do better and demonstrate that it is possible to reduce our carbon impact.

S.S.D.: Fashion is a form of theater that carries a message about society and can drive change. It shows how to be poetic, how to dream and be ambitious without doing any damage!

CB: Yes!

MF: Cate Blanchett, thanks to your profession, you have been able to wear clothes from all eras, even the clothes of Queen Elizabeth, which are not very practical…

CB: Everything can be reinterpreted today, Nicolas Ghesquière (artistic director of Louis  Vuitton, editor’s note) did well with basket dresses in its fashion shows! I love inhabiting these silhouettes as much as their minds: it’s the great privilege to enter into the imagination of creators. For me, even if obviously the relationship with the director is essential, when I have to interpret a character, it is with the costume designer that I start the conversation, with them the character‘s psychology takes shape. Basically, there is a big difference between what we think we are, who we aspire to be and who we really are… Often, we dress either to hide ourselves or to reveal ourselves. Fashion understands this perfectly, it accompanies and facilitates our desires, our aims and our inspirations.

S.S.D.: Today, fashion no longer prescribes lines to follow all drawn, everyone can draw from a thousand different wardrobes without having to display who they are…

CB: Yes, I agree. People often ask me questions about identity, but – and it is. Maybe that’s why I’m an actress – my identity is so fluid! Obviously I am not an amoeba, I have a solid moral base and strong convictions, but my identity is fluid…

S.S.D.: I understand perfectly. I started doing theater as a teenager, in a national company.  For a while, I even thought I was going to make it my career. It’s interesting what you say about building a character through clothing. Me, I first think of a character to define his look.

MF: So it’s not the habit that makes the monk…

S.S.D.: No, it is the monk who makes the habit, the character defines the clothes. For a collection, I create my little universe with six or seven characters…

CB: Oh, it’s exciting!

S.S.D.: Thank you… I’m writing their whole story, their background… It’s a lot of work, too much writing!  But all this information defines the garment, the cut, the material, the details, what the person can do with it and in what situation…

MF: Artists, by definition, you live from the desire of the other: is this need for public recognition a brake or a driving force?

CB: Paying attention to how you are going to be greeted before you even start work is putting the cart before the horse, a dangerous way to work. You can’t think about what’s going to happen first. I imagine it’s the same for a collection, you just have to move forward, one step after another.

S.S.D.: Absolutely. I forbid myself to think about the outcome, or how the result of my work will be perceived. Otherwise, I couldn’t move forward…

CB: We wouldn’t get up in the morning… But it takes courage. I, for example, am full of fears and doubts. But at the end of the day, we get up and do what we have to do. When the film comes out, I go back under the duvet thinking: “Anyway, no one is going to see it”…and that’s often the case! (Laughs.) The idea of ??doing everything for people to like, it’s so unpleasant, precisely. And at the same time, it‘s so brutal to be on display, to do a job that lives off the public.

MF: Do prizes help you move forward?

CB: I experienced something very strange this year, and very unexpected: I received three important awards. You have to understand that as an Australian, I would never have imagined being recognized and rewarded outside of my culture. I still can’t believe it, it’s very intimidating for me and I imagine you, Steven, must feel the same way when this international group that is LVMH gives you a prize…. At the same time, the prizes are gratifying, but it is the failures that allow us to learn. The path to success—whatever that word means—is a bumpy road. I know, it sounds a bit like advice from a mother, but it‘s so true: you do not learn much by winning a prize, you should not lock yourself into it.

MF: Cate Blanchett, based on your experience, would you have any advice to give him?

CB: Oh no! Advice is unbearable. Ask my children, I’m constantly on their backs.

MF: So, any question you would like to ask him?

CB: Two. What music inspires you? And where do you see yourself in five years?

S.S.D.: Kate Bush! I’m obsessed with her, I listened to her a lot during the preparation of this collection. And in five years… Gosh… I don’t know. I hope to be happy and in agreement with my choices.

CB: Who would you like to collaborate with? No, do not answer, call me next week! (Laughs.)