Cate Blanchett Lip Syncs at a Drag Show in NYC to support Newtown Action Alliance

Cate Blanchett Lip Syncs at a Drag Show in NYC to support Newtown Action Alliance

On February 20th, Cate Blanchett joined a concert at Stonewall in support of the Newtown Action Alliance, a “grassroots organization founded by Newtown residents after the tragic December 14, 2012 Sandy Hook Elementary School shooting” with the aim of ending gun violence.
First, Cate appeared alongside Margeaux Powell (hair and makeup artist/DisarmHate founder Jason Hayes) for a performance of Adele’s “Hello.” Here’s the video:

#cateblanchett #margeauxpowell @newtownactionalliance @thestonewallinn

A post shared by Stonewall (@thestonewallinn) on

Later, Cate showed up onstage in a Marlene Dietrich look and lip synched Dusty Springfield’s version of Leslie Gore’s “You Don’t Own Me.” Among the performers were Aurora Sexton, Vanice Vega, Candice Cox, Brenda Dharling, and Zola Powell. Chris Ryan, member of the cast of The Present, currently in NYC on Broadway, also took part in the event. Watch the video of Cate’s performance below:


View from another angle

Some official photos were released yesterday and they are available in our gallery.





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Photos via Ian Carlos

For more information >> Newtown Action Alliance

via Flavorwire

Treize facettes de Cate Blanchett scintillent aux Beaux-Arts

New interview with Cate Blanchett for Le Monde newspaper about the installation Manifesto currently in exhibition at Le Palais des Beaux-Arts in Paris. Enjoy the reading! (if you can read French)

L’école parisienne accueille l’installation de Julian Rosefeldt « Manifesto », dans laquelle l’actrice incarne différents personnages

Elle apparaît successivement sous les traits d’un clochard, d’une PDG, d’une présentatrice de journal télévisé ou bien encore d’une institutrice. Parfois méconnaissable, l’actrice australienne Cate Blanchett déploie toute la palette de son talent à travers Manifesto, la production de l’artiste allemand Julian Rosefeldt, qui, après Melbourne, Berlin et New York est présentée pour la première fois en France du 24 février au 20 avril aux Beaux-Arts de Paris.
Cette installation regroupe treize écrans, sur lesquels l’actrice joue autant de personnages, qui scandent des monologues élaborés à partir de manifestes d’artistes célèbres du XXe siècle. « Cette culture ne sera pas dominée par le besoin de laisser des traces », clame le clochard au milieu d’une friche industrielle, reprenant le Manifeste situationniste écrit par Guy Debord en 1960.
Sur un autre écran, une femme prononce une oraison funèbre : « Je suis contre les systèmes, le plus acceptable des systèmes est celui de n’en avoir par principe aucun », affirme-t-elle derrière sa mantille, récitant le Manifeste Dada de Tristan Tzara. Un peu plus loin, une marionnettiste coiffée d’un bonnet cite André Breton : « L’acte surréaliste le plus simple consiste, revolvers aux poings, à descendre dans la rue et à tirer au hasard, tant qu’on peut, dans la foule. »
Des textes du cinéaste Jim Jarmusch, de l’architecte Bruno Taut ou du peintre Vassily Kandinsky sont ainsi mis en scène et assemblés comme dans un collage dont la vocation est de leur redonner une nouvelle vie en les plongeant au cœur de la société contemporaine.
Ce travail est le fruit d’une rencontre qui remonte à 2010, à Berlin, lorsque Cate Blanchett fait la connaissance de Julian Rosefeldt par l’entremise du metteur en scène allemand Thomas Ostermeier. L’idée qu’ils travaillent ensemble est immédiate, mais ce n’est que quatre ans plus tard que le projet entre véritablement dans le concret quand Rosefeldt veut monter quelque chose autour d’une poignée de manifestes qu’il venait de lire.
« Il m’a appelée un jour, alors que je jouais à Lyon Les Bonnes, de Jean Genet, avec Isabelle Huppert », raconte Cate Blanchett, qui nous reçoit dans sa loge du Barrymore Theatre à New York où elle fait actuellement ses débuts à Broadway dans The Present, une adaptation par Andrew Upton de Platonov,une pièce de Tchekhov.

« Une expérience “fast and furious” » […]


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Cate Blanchett Doesn’t Need to Be the Star of the Show

Hello everybody! New interview for Vanity Fair!

The Oscar-winner on her Broadway debut in The Present—and which Shakespearean role she yearns to tackle


When she isn’t delighting late-night revelers with surprise performances at drag shows, Cate Blanchett is spending her time in New York on the Broadway stage. Currently one of the stars of The Present—a reworking of an infrequently produced early Anton Chekhov play about a rather disastrous birthday party, adapted by Blanchett’s husband, Andrew Upton—Blanchett took a break from her hectic schedule to talk with us about the play, and how she views her role in such productions. Blanchett says she’s much happier being a member of the ensemble—even if, sure, her specific role in The Present maybe got a little plumping.

“It’s not a great role in the original writing. It’s very peripheral,” Blanchett told us over the phone. “Andrew has set her given circumstances, for want of a better phrase, as the framework for the play, in which everyone combusts and decomposes and hopefully emerges crisp and more phoenix-like. For me, in the end, the role is always secondary, whether it’s working on-stage or on-screen. It’s about the people you’re working with. I was drawn to the possibility of doing this in Sydney, and then ultimately [to] the opportunity of performing it [in New York], as a way of exposing the actors that we work with, the designers that we work with, the creative teams that we work with at the [Sydney Theatre Company] to an international audience.”



Blanchett and Upton ran the Sydney Theatre Company together for five years, staging acclaimed productions in Australia and then touring them around the world. It was a demanding job, one that Blanchett says she misses in some respects—but not in others. “We’re very private people. But [when you’re] running such a public organization, you need to weigh in to the national conversation. There’s a great responsibility as a cultural advocate that means that one has to be very public. And so I don’t miss that.”

Still, Blanchett seems to be enjoying her time treading the boards in New York again, making her Broadway debut after taking other shows to the Brooklyn Academy of Music and Lincoln Center. Blanchett is one of a small handful of movie stars who regularly does theater—Jake Gyllenhaal, currently starring in a swoon-worthy Sunday in the Park with George revival a few blocks north of Blanchett, is another one—but Blanchett doesn’t have any sort of ratio or equation in mind when accepting a film role versus a theater role. “There’s never really a plan,” she told us. “Except to do the work that I feel I can do. Sometimes it’s stuff where you can see an opportunity to do something, or to work with a director. Anthony Minghella on Talented Mr. Ripley. Lasse Hallström in The Shipping News. [Those roles] were very colorful characters, but I was working with two directors that I really wanted to work with, and on material that was the antithesis of the job that I’d just done. I could see an opportunity there. So often it’s been something that other people turned down!”

Are there any specific theater roles that Blanchett would carve out time for? “I wouldn’t mind a crack at Richard III,” Blanchett told us. (Someone please make this happen.) “But it depends on the director. There are plays that I would love to be part of realizing, but in the end, there’s no point playing Hamlet or Medea or Richard III or whatever the role is—or one yet to be written—unless you’re in something that is whole. Hamlet doesn’t make sense if Claudius and Gertrude aren’t present and completely enmeshed in the fabric of the piece, and therefore the production doesn’t work. I’m more interested in productions that have a chance to connect with the audience than how many lines I’ve got or how much stage time I have. I couldn’t be less interested. I don’t want to sound too pretentious about it, but I consider myself, no matter what the role is, an ensemble member.”

Blanchett will be an ensemble member in next year’s Ocean’s 8, a spin-off/continuation of the popular Ocean’s franchise, which she filmed on Mondays when not performing on-stage. But for now, there is just, quite fittingly, The Present, which runs on Broadway through March 19.

via Vanity Fair

Video Interview: Cate Blanchett Teases ‘Ocean’s Eight’ Surprises

Video Interview: Cate Blanchett Teases ‘Ocean’s Eight’ Surprises

Few days ago Cate Blanchett met with several magazines and media to promote the new Sì Rose Signature, this is the first video interview from that press day. Hear her talking about the new fragrance, the filming of Ocean’s Eight and her marriage. Enjoy!



“Extra” caught up with Cate Blanchett while she promoted the new Giorgio Armani Beauty Si Rose Signature fragrance in NYC, and the Oscar winner dished on her highly anticipated film “Ocean’s Eight.”

One of the guys from the “Ocean’s” franchise will be making a cameo the movie. Cate shared, “Matt [Damon]’s definitely coming back, and there are a couple of other surprises. I don’t want to give too much away.”

She will be joined in the film by other big names, including Sandra Bullock, Anne Hathaway, Rihanna and Mindy Kaling. The Aussie actress gushed, “Funny, funny, funny and generous women to work with. Finally get to work with Sandra Bullock, Sarah Paulson again, Helena Bonham Carter again, Anne Hathaway, which has been fantastic.”

via ExtraTV

Manifesto opens today in Paris #CateBlanchett

Manifesto opens today in Paris #CateBlanchett

From February 24 to April 20 , Le Palais des Beaux-Arts in Paris will be house of the video-installation Manifesto by German artist Julian Rosefeldt. The exposition is part of the 200th anniversary of the École Nationale Supérieure des Beaux-Arts.

Facade Palais des Beux Arts Paris
Source

More info: www.beauxartsparis.fr

The One Beauty Look That Cate Blanchett Wishes She Never Tried

Hey everyone!

New promotional interview with Cate for Sì Signature by Giorgio Armani. Enjoy!

Cate Blanchett has been topping our best-dressed lists for years—and quite frankly, it’d be a challenge to find a photo of the Oscar-winning actress where she doesn’t look downright gorgeous. But while it may be hard for us mere mortals to believe that the 47-year-old star—who’s currently starring in The Present on Broadway—could do any wrong in the beauty department, she insists that she’s had her fair share of missteps throughout her successful career. We caught up with Blanchett last week while celebrating the launch of Giorgio Armani’s new Si Rose Signature fragrance (she’s the face of the collection) and asked her to spill on her biggest beauty regrets to date. And much like her red carpet appearances, her answers didn’t disappoint.

“I don’t like an overly-plucked eyebrow, and I did that for a role once,” said Blanchett. “It was terrible, and it took forever to come back in.” While the thin eyebrow debacle may top her list of beauty blunders, it was only one of many times that Blanchett altered her appearance for a project and later faced the rather unpleasant reprecussions. “When I played Queen Elizabeth, I shaved my hairline—and that was a challenge when it grew back in,” she said of the dramatic look.

“For another role, I once shaved my whole head,” Blanchett continued. “I actually loved having my hair super short, but in the initial stages of growing it back in, I looked like a tennis ball. It’s the midway point that’s always really difficult—that’s when you have the regrets.”

Other than Blanchett’s past faux pas, we asked the star to spill on her current beauty faves, from her fragrance preferences to the skincare treatment that keeps her skin looking Broadway-ready every night. Scroll down for our full chat.

InStyle: When you’re choosing a scent to wear, what would you say immediately attracts you to the right one?
Cate Blanchett: For me, it’s always a very sensual and private connection. I think it bypasses your intellect and goes straight to your emotions, in a way. I’m always drawn to scents either that have a citrus note or have that base of a chypre in it, which Si obviously has, because I think they have a kind of mystery to them and that deep sensuality which I’m really attracted to.

The latest scent in the Si collection has strong notes of rose, which is where the fragrance gets its name. Are roses your favorite flower, personally?

Definitely one of them, for sure. Roses are so diverse—when you hear that a fragrance has rose in it, you think ‘Oh my goodness, it’s gonna be so sweet.’ But the surprising thing about this iteration of the Si family of fragrances is that one rose has a grassy note to it and the other has an almost spicy quality, and so it has a rose sort of aspect to the fragrance, but it’s not sweet. It’s deeper than that.

Do roses remind you of anything in particular?
Well, I always think of Alice in Wonderland. You know when you smell roses and they’re very powdery or they’re very grassy? Also I just love the texture of a rose. They’re so beautiful in all states: They’re beautiful when they’re buds, they’re beautiful as they’re opening, they’re beautiful as they’re at their perfection, at the high point of the flowering, and they’re even increcdibly beautiful as they decline. They’re just a beautiful flower to have either in a vase or in the garden.

What’s your general guideline for applying a fragrance—is there any such thing as too many spritzes?
I apply it constantly, and certainly at all the pulse points. I always keep a moisturizer in my bag and a bottle of fragrance, because you never know where you’re going to end up during the day. People often think wearing a fragrance is something you’re doing for other people, but it’s very personal to yourself. If it’s on the pulse points, then you can smell it, as well. It’s a very uplifting, mood enhancing thing to do.

So is it safe to say that it’s one of your favorite beauty rituals?
It’s interesting that people say it’s a “beauty ritual,” because I don’t see this as having to do with beauty. I think it has more to do with your emotional space—space that’s personal. I have very little time in my life, so any thing to do with beauty is very economical. I’ve been using the same skincare line for…god, probably going on sixteen years now. It’s kind of just like I don’t even have to think about it. And I don’t wear a lot of makeup day-to-day unless I’m onstage.

Which skincare product is your go-to?
I always have SK-II Facial Treatment Essence in my bag. You can spray it on during the day, and it’s unscented so it doesn’t obstruct anything you put on. Often, I find that skincare products are highly perfumed. I like something that does the job, but is more neutral than that.

You’re currently starring in The Present on Broadway. What has your approach been for the role, beauty-wise?
It’s a pretty natural look, but it could be a bit brutal onstage because you’re constantly taking makeup on and off. It’s really so important to cleanse your face properly, and I’ve been having a few oxygen facials.

via InStyle

Cate Blanchett brings NDIS character to life #Nadia

Cate Blanchett brings NDIS character to life #Nadia

Hello everyone! Cate has joined a new project*!

Cate Blanchett has given her voice to play an online character who will give people information about the national disability insurance scheme.

Oscar winning actress Cate Blanchett has injected some Hollywood stardom into the national disability insurance scheme.

Blanchett has taken on the voice role of Nadia, an online virtual assistant who can speak, write and chat online while answering common questions about the NDIS

“I have disability very close to me in my family,” Blanchett said in a promotional video, when asked why she took on the role.

The avatar character has been co-designed with people with disabilities.

Nadia already understands thousands of questions and her knowledge bank will grow with more interactions.

Nadia will start on a trial basis on the NDIS’s participant portal website in coming months and it’s expected to take 12 months before she’s fully operational.

via SBS

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A Rose for a Rose: Cate Blanchett on Saying “Si” to Life

Hello everyone! New promotional article and image for Sì Rose Signature on Vanity Fair. Enjoy!

A new scent from Giorgio Armani, Si Rose Signature, conjures up more than just feeling for Cate Blanchett

There she goes again, on Broadway that is, making her grand presence known in the currently running play The Present. A longtime lover of Chekhov’s work, Cate Blanchett now stars in her husband Andrew Upton’s adaption of the little-known story. The Present is playing at the Barrymore Theatre and has, since January, grossed well over a million dollars, according to The New York Times—an especially high number for a non-musical!

Blanchett plays 40-year-old widow Anna Petrovna, who celebrates her birthday with friends and family, leading up to what is perhaps not the happiest of party endings. However, what’s most polarizing about the play is Blanchett’s commanding performance—her presence fully captivating you to the very end.

Similarly, it’s her drive, femininity, and passion that make her the obvious face and muse of Si Rose Signature by Giorgio Armani, which debuted earlier this month. Infused with the most famous roses in perfumery—Rose de Mai, which is the central appeal to this new edition, and rose turque—the fragrance is an array of exotic floral notes along with sensual and velvety accords. “The Turkish rose, which has a hint of orange in it, and the more-green rose in this iteration are just beautiful,” says Blanchett. A beautiful actress and a beautiful scent… now that will hold our attention!

via Vanity Fair

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