Cate Blanchett interviews and magazine covers
Posted on
Nov 18, 2022

Cate Blanchett interviews and magazine covers


Cate Blanchett is featured on the cover of Financial Times’ How to Spend It weekly magazine. It will available on UK newsstands this Saturday and Sunday. The latest issue of Pianist Magazine where Cate is on the cover too is out now.

Beware of spoilers!

The revelations of Cate Blanchett

For her next role, Cate Blanchett is… “Oh God,” cries the Australian actress, “I look like a vampire! I look like I’m about to play the organ!” She is sitting late one night in the study of her home in the English countryside, and it’s true, the mood is gothic with a touch of eco-spiritual, with two small owl totems looming behind her. The surroundings are very dark, and more to the point, she is wearing black, pointed, thick-rimmed glasses that make the actress, one of Hollywood’s most beautiful women, look like she’s auditioning for a highbrow reboot of Elvira: Mistress of the Dark. Luckily, she’s smiling.

Blanchett will star in two films this season, one of which has already placed her as a leading contender in the annual awards-season circuit. Tár is a virtuoso piece written and directed by Todd Field that showcases the actress as Lydia Tár, a complicated music conductor who, approaching 50 and preparing a seminal performance of Mahler’s Fifth Symphony, is also careening towards a gigantic personal reckoning. It really is a showcase: Blanchett is in every single scene. “Look,” she admits, “it was one of the most extraordinarily intense and revelatory experiences I have ever had.”

You can read the full interview on Financial Times.

Pianist Magazine

The December 2022 and January 2023 issue of Piano Magazine is out now. You can purchase a copy here.

Cate Blanchett casts a spell over any role she takes, whether on stage or screen, indie of blockbuster. She has played a 16th-century monarch (Elizabeth), an ageless princess (Lord of the Rings), a predatory Nazi collaborator (The Good German), Katharine Hepburn (The Aviator), a British schoolteacher who has an affair with a teenage student (Notes on a Scandal), even a version of Bob Dylan, complete with big hair and sideburns (I’m Not There). In each case, she is fully them, and fully herself before our eyes.

After such a breathtaking gallery of characters, perhaps the backstage conflict, onstage triumphs, sublime highs and soul-searching lows of the music world are not so impossible a leap for Blanchett to take in her latest film, TÁR.

It comes as a no surprise to learn that Blanchett has assumed the character of Lydia Tár by dint of meticulous preparation. She has learnt how to give a convincing upbeat in font of a hundred musicians. She has also brushed up her childhood German and piano studies in order to show Tár behind the scenes, doing the hard yards of private study which make every conductor’s life an essentially lonely one.

Blanchett meet two days after a private screening of Tárm in company with the film’s writer, producer, and director, Todd Field.

From early on, Field had his lead role fixed in the mind’s eye. ‘I wrote the script for Cate,’ he says. ‘I’ve never written for an actor, ever. And I guess I painted myself into a deadly corner, because if she had said no, I’ have been in a sticky situation,’ he laughs. ‘Tár is a very particular character, and I knew that it had to be Cate. So I was lucky: this is one of the most creative experiences I’ve had.’ Blanchett jumps in: ‘Likewise — I feel lucky too! I’d never read such a script… it was speaking a language that I did not speak, so there was a lot of research to do.’

‘The music world is so insular and so hierarchical,’ continues Blanchett. ‘I knew I had to get to a point where you didn’t need to be from, or live inside, the classical music world in order to know what the character was talking about. It’s like if you watch a film about rocket scientist, it has to be about something else. That was just the language she spoke. It’s masterful in that it’s so specific yet so universal.’ Evidently well advised, Blanchett studied masterclasses given by the Russian conducting guru Ilya Musin, looked at films of Claudio Abbado, Carlos Kleiber, Emmanuelle Haïm, and Bernard Haitink in performance, and took practical lessons with the conducting coach, Natalie Murray Beale.

Playing a pianist — and the piano

When it comes to the piano, lessons from Blanchett’s Melbourne childhood were buried somewhere in the muscle memory, but they needed digging up. Again her role model was a shrewdly chosen one: ‘When I started thinking about the demeanour or the deportment of what the character might be, I watched a lot of interviews with Imogen Cooper. There’s no parallel between her and the character at all, or what the character says or does. It was more about her intelligence and the way that she could talk about what it is that she does – the years of work and practice that she did.’

Blanchett was filming in Budapest as she was beginning to prepare for Tár. ‘I was worried because I knew I had to play these bits and pieces, and I thought, “I have to get some lessons”. I was lucky to find Emese Virág, who teaches at the Liszt Academy in Budapest. She would come to see me once a week.’

At one point in the film, Tär sits down to play Bach’s familiar C major Prelude. She plays it romantically at first, then more analytically in the style of Glenn Gould, and carries on a conversation, as any practised musician might. Blanchett reflects on the challenge: ‘Emese taught me how to play the piece, but I also had to understand how to play Bach – the kind of freedom that the rules give you. I had to treat playing the piano like dialogue, like a language.’

‘Emese would play,” Blanchett continues, ‘and then I’d ask, “How would you play it as if you were trying to play it like this person or that person?” She was amazing. She’d probably be horrified if she heard me!’ It is, all the same, quite a feat. ‘It was scary but it was also fun,’ says Blanchett. ‘I love an impossible challenge. And you know if you fail at it, then you fail at it. But you have to give it a go.’

Field’s camera shows Blanchett’s face rather than her fingers during the scene, but he insists that she is playing every note. “We had a long talk about this. I didn’t focus on her hands for a reason.’ He explains: ‘You master something, and you want someone to see it, right? But what if you were Leonard Bernstein? Would I show his hands? No. With films of Bernstein, his Harvard lectures and so on, you see his facial expressions. You don’t have to prove that he can conduct. I wanted the same for this character.’

Has her work on the film made Blanchett more fascinated with the piano? ‘Oh, I have always been,’ she replies. ‘People who are astonishing musicians and who can do magic make me want to scream with joy. It’s like when you ride a horse, you have a symbiotic relationship with the horse. By watching Emese play, I glimpsed that you become one with that instrument. It’s magic.’

You can read the full article on the scans below.

Cate Blanchett for Louis Vuitton’s High Jewelry Campaign
Posted on
Jun 28, 2022

Cate Blanchett for Louis Vuitton’s High Jewelry Campaign

Great news, everyone!

Cate Blanchett has been named as the newest ambassador for Louis Vuitton’s largest high jewelry collection. Check the latest announcement below.

Click image for higher resolution

 Louis Vuitton is poised to unveil its largest high jewelry collection to date in Marrakech on Tuesday, and it has a new brand ambassador to front the line: Cate Blanchett.

The Oscar-winning Australian actress stars in the advertising campaign for the Spirit collection, photographed by Sølve Sundsbø, which is set to break in WWD on Friday and in The Economist and the Financial Times’ How to Spend It magazine on Saturday. The images were styled by Carine Roitfeld, with artistic direction by Baron & Baron.

Blanchett has supported Vuitton for at least a decade, attending a store opening in Rome as far back as 2012. Earlier this month, she handed out the LVMH Prize for Young Designers at a ceremony in Paris, wearing an outfit by Vuitton womenswear designer Nicolas Ghesquière.

“She’s one of a kind. She transcends culture, she transcends times, she transcends trends. Many things have changed, and she’s there, as relevant as ever,” said Michael Burke, chairman and chief executive officer of Louis Vuitton, the star brand at French luxury conglomerate LVMH Moët Hennessy Louis Vuitton.

“That staying power is not based just on looks. She has a very specific look, but that’s just the first thing you see. Staying power needs a lot more than just that. And her staying power is her character, how she engages, her humanity, her intelligence, the way she relates to people, how she can talk about so many different subjects. She has gravitas,” he added.

Blanchett succeeds fellow actress Alicia Vikander, who last year fronted the brand’s first high jewelry campaign.

The “Carol” actress is pictured wearing bustier dresses accessorized with some of the star pieces from the 125-piece collection, which required more than 40,000 hours to execute. Francesca Amfitheatrof, artistic director of watches and jewelry at Vuitton, was inspired by mythical creatures including dragons and phoenixes.

The five themes within the collection — Liberty, Grace, Fantasy, Radiance and Destiny — were chosen as allegories for the spirit of the house, expressed through articulated creations and motifs of chevrons, checkerboard patterns and multiple interpretations of the house’s signature letter V.

Click image for higher resolution

“I am extremely excited to have this opportunity to collaborate with Louis Vuitton – a truly iconic House with an enormous cultural reach,” Blanchett says. “To wear the magnificent pieces created by Francesca Amfitheatrof is a bedazzling pleasure, and Nicolas Ghesquiere, as ever, amazes and inspires me.”

The campaign will launch on July 2.

Source: WWD, Grazia

Cate Blanchett at LVMH Prize 2022
Posted on
Jun 2, 2022

Cate Blanchett at LVMH Prize 2022

Happy Friday, Blanchett fans!

Yesterday, Cate had a short trip to Paris where she was made ambassador at this year’s LVMH Prize. She presented the Young Fashion Designer Award to Steven Stokey Daley. Check out the photos, videos, and articles below!

Thank you to Frauke and Bronte for their donation to the site!


By my watch it was 2:49 pm at the Louis Vuitton Fondation in Paris when Cate Blanchett delivered the news: “I know I speak for everyone in wishing the winner a long and fulfilling career. So, the 2022 LVMH Prize for Young Fashion Designer goes to… SS Daley!” The audience whooped as Steven Stokey Daley, 25, stepped up onto the stage in his voluminous khaki collection trench coat to accept the fancy golden award. As with everything else over the last 48 hours spent here prepping for this moment—sleep-time excepted—Daley delivered his speech with aplomb. “This is like an Oscar, so thanks Cate! I genuinely didn’t expect to win, so thanks to everyone who supported me.”

Shortly after she handed Daley that fancy award, Cate Blanchett said: “I wasn’t part of the judging process, I just joined at the last minute. Which is interesting because you can make decisions based on your own personal taste. But it’s an entirely different process when you understand as a juror you have someone’s career and development at stake… Because everyone can have an amazing moment and there are so many breakouts, but can they sustain the brutality of the fashion industry?”

Left to Right: Jonathan Anderson, Nicolas Ghesquière, Sidney Toledano, Maria Grazia Chiuri, Cate Blanchett, Bernard Arnault, Silvia Venturini Fendi, Delphine Arnault, Stella McCartney, Jean-Paul Claverie, Kim Jones, and Nigo

Delphine Arnault announces: “I am very happy that Steven Stokey Daley, has won the LVMH 2022 Prize for his brand S.S. Daley.  He appropriates the codes of tailoring by playing with the clichés of upper-class English culture. This year, the jury has decided to award the Karl Lagerfeld Prize to the designer Eli Russell Linnetz for his brand ERL who draws from the culture of Venice Beach and his native California, to create joyful, cool and sensual clothes, and to Idris Balogun for Winnie New York, who revamps the codes of a colourful elegance, inspired by the staples of menswear.

I would like to congratulate all the finalists and I applaud their outstanding talent and creativity. I am also very grateful to Cate Blanchett and Eileen Gu for being here today, both of whom are outstanding in their own fields and an inspiration to us all. Finally, I would like to thank the members of the exceptional Jury for their involvement in this edition and for their support to young creation.”

Sources: Vogue; LVMH

Cate Blanchett at The Louis Vuitton Cruise 2020 show – First look
Posted on
May 10, 2019

Cate Blanchett at The Louis Vuitton Cruise 2020 show – First look

Hey Blanchetters!

Long time no see!

On Wednesday, May 8, Cate Blanchett attended the Louis Vuitton Cruise 2020 show that took place in the center of the TWA Flight Center at JFK airport, New York. Cate was at the front row of the fashion show alongside Emma Stone, Julianne Moore, Alicia Vikander, Michelle Williams and other famous #LVCRUISE guests. Here are some photos! Enjoy!

[Videos + Photos] Louis Vuitton Masters: A Colaboration with Jeff Koons
Posted on
Apr 15, 2017

[Videos + Photos] Louis Vuitton Masters: A Colaboration with Jeff Koons

Last Tuesday, Cate Blanchett attended a dinner at the Louvre in celebration of Louis Vuitton colaboration with Jeff Koons for a new collection of bags. She was photographed by Patrick Demarchelier and interviewed during the event. Enjoy the pics and videos released by Louis Vuitton:

Louis Vuitton Instagram:


Gallery Links: