Femme fatale of ‘Nightmare Alley’; and Nightmare Alley and 032c Magazine Photos
Posted on
Dec 21, 2021

Femme fatale of ‘Nightmare Alley’; and Nightmare Alley and 032c Magazine Photos

Hello, blanchetters!

Another photo from 032c Magazine photoshoot has been released. We have also added some HQ posters, behind the scenes, and stills from Nightmare Alley on our gallery. Associated Press published an interview with Cate and Guillermo del Toro.

032c Magazine

Riccardo Tisci himself is in charge of the creative direction of the shooting, and Mart & Marcus, a world-famous photographer, is in charge of the shooting. Cate Blanchett has an overwhelming presence in Burberry’s Spring / Summer 2022 pre-collection and iconic trench coat. This shoot was made possible by the long-standing relationship between Riccardo Tisci and Cate Blanchett, Mart & Marcus. In the paper, Riccardo Tisci talks about how he became Burberry’s chief creative officer.

Click the image for higher resolution and more photos:

Nightmare Alley posters, stills, and behind the scene photos by Kerry Hayes

Poster

Behind the scenes
Stills
POTENTIAL SPOILER in the interview below is highlighted in blue.

Blanchett, del Toro on the femme fatale of ‘Nightmare Alley’

With a touch of Barbara Stanwyck, a sumptuous Art Deco office and a deadly shade of crimson lipstick, Cate Blanchett plays a femme fatale in Guillermo del Toro’s “Nightmare Alley” with cunning embrace and subversion of the film noir archetype.

If “Nightmare Alley” is del Toro’s lushly composed love letter to noir, the movie’s pulpy heart is in Blanchett’s conniving psychiatrist Lilith Ritter. She doesn’t enter the film until halfway through, when Bradley Cooper’s carnival huckster, Stan, catches her eye in his nightclub mind-reading act, and the two begin scheming together. But when she does turn up, Blanchett shifts the film’s fable-like frequency, conjuring deeper shades of mystery from the movie’s rich tapestry of shadow and fate.

“We tailored the part for her, but she fit in those clothes on the first try,” says del Toro.

In period films like “Carol,” “The Good German” and “The Aviator,” Blanchett has often evoked a classical kind of mid-century movie stardom. But in “Nightmare Alley,” an adaptation of the ’40s novel first made into Edmund Golding’s well-regarded 1947 film (currently streaming on the Criterion Channel), Blanchett slides into one of the movies’ most iconic types by trading less on her character’s seductiveness than on her razor-sharp intellect.

“What I thought was timely and dangerous about this story was it’s an exploration of the truth,” Blanchett said in an interview from Brighton, England. “Playing such a deliberately mysterious and ambiguous character I found really challenging because you have to know there’s a lot going on, but you’re never invited into exactly what she’s thinking.”

It’s one of two roles this December for Blanchett that revolve centrally around American deception and disinformation. There’s “Nightmare Alley,” currently in theaters, and Adam McKay’s “Don’t Look Up,” which arrives Friday on Netflix. In the latter, she plays a TV morning news anchor who cheerfully steers the news away from an impending asteroid doomsday and toward lighter subjects — like the sex appeal of Leonardo DiCaprio’s scientist.

There may be something timeless about Blanchett in “Nightmare Alley,” but to her, both films are characterized by their timeliness.

“It was such a privilege to be on a film set in this particular point in human history,” Blanchett says. “One should always be alive to the time in which what you’re making is going to be viewed. I never felt that more profoundly than making these two films.”

Blanchett and del Toro had discussed various projects for years but came together for the first time on “Nightmare Alley.” (She also voices a role in the director’s upcoming stop-motion animated “Pinocchio” — another film about truth telling.)

Del Toro, who calls his kinship with author James M. Cain “profound,” had long pined to pay tribute to noir. His affection for the genre runs deep. In his previous film, the best-picture Oscar-winner “The Shape of Water,” del Toro explicitly referenced Otto Preminger’s “Fallen Angel.” An avid collector, del Toro calls the portrait that hangs in Preminger’s “Laura” “the one prop I would kill to own.”

“I read all of (Raymond) Chandler right before I married,” says del Toro. “I’m not sure why.”

Del Toro scripted “Nightmare Alley” with film critic Kim Morgan, whom he wed earlier this year. His taste in noir leans toward seedy, rather than the more elegant varieties, and films that inhabit an audacious psychology.

“I like these characters, like Bette Davis in ‘Beyond the Forest,’ who are too smart for their environment,” he says. “I root for them not because I think they do things that are good but because I agree that they are left without recourse in what seems like a rigged game. That’s the noir that I find interesting.”

One touchstone for “Nightmare Alley” was 1949’s “Too Late for Tears,” a nasty noir starring Lizabeth Scott as a housewife who finds a bag full of cash. (Del Toro and Morgan screened it recently on TCM.) Tasting a chance for freedom from her husband and more, Scott’s character clings to the money. Del Toro and Morgan envisioned Lilith similarly as operating within a male-controlled society.

“Frankly, it’s the character I was completely passionate about creating with Cate,” he says. “She’s almost like an avenger. We said: Whatever happened to her in the past, she’s sort of righting the wrongs.

To Blanchett, the term femme fatale suggests a diabolical woman — “like a siren seeking to draw the male character onto the rocks to destroy them for no reason apart from they have diabolical urges.”

Blanchett and del Toro instead played with subtle gradations in Lilith’s motives. Blanchett thought one line of dialogue was too straightforward, and del Toro agreed in cutting it. But he still quotes the speech a little ruefully: “Do you know what it is for a woman like me to grow up in a town where the smartest man is just a stupid beast?”

“Even though there’s nothing explicit that Lilith says about her background, there’s a sense that she’s damaged goods from the system, that she wants to burn down and she’s going to use Stan to do it,” says Blanchett. “Her faith in him and the men who run the system is nonexistent.”

Del Toro shot Blanchett’s scenes with Cooper, he says, like three 5-10-minute miniature plays. Inside Lilith’s ornate, wood-paneled office, the two con artists dance — a shifting drama told through blocking and camera movement. It’s a chess game that Lilith, inevitably, will win.

Source: PR Times, AP

Cate Blanchett AACTA International Nomination; 032c Magazine Photos; & New Interview and Nightmare Alley Featurette
Posted on
Dec 19, 2021

Cate Blanchett AACTA International Nomination; 032c Magazine Photos; & New Interview and Nightmare Alley Featurette

Hi, Blanchett fans!

Cate has been nominated at the AACTA International for her performance in Don’t Look Up. A new Nightmare Alley featurette has been released. Check out some of the photos from 032C photoshoot below.

AACTA International Nomination

The 2021 AACTA International Awards will be presented virtually at 7 a.m. AEDT on Thursday, Jan. 27 (12 p.m. PT on Wednesday January 26).

Nightmare Alley Featurette

Screencaptures

A double dose of the great Cate for the holidays

This morning I had the opportunity to interview Cate Blanchett, whose latest film Nightmare Alley opens today. I got to see that in a packed preview screening earlier this month at the spectacular Academy Museum theater and it looked stunning (not sure howI would have reviewed its considerable visual glories off a link). I brought up the fact that it is so great to see this Guillermo del Toro film opening exclusively in theaters, and it is great to see people going back, however cautiously.

“It is crazy times but I doubt there is going to be a non-crazy time in the near future,” she said. “I really think people, well I can speak for myself, but I think the one thing I missed, even though we are not out of the woods yet, the one thing I missed in the epicenter of the pandemic was gathering in the dark with strangers, because it does add to the experience when other people you don’t know are all joined in that experience.”

Blanchett had high praise for her director, working with del Toro for the first time, saying, “Guillermo is a singular filmmaking creature. There is no one like him making movies.” This two-time Oscar winner has obviously worked with a lot of great directors, so that is saying something.

Nightmare Alley is a delicious period film noir in which the psychiatrist she portrays goes toe to toe on the dark side with a devious Bradley Cooper in this remake of the 1947 Tyrone Power classic and reimagining of the controversial book that came out in 1946. It is a film that has strong entertainment value but also a timely message. In some ways you could say, even though this film is set in 1939 and early ’40s, it talks about things Blanchett thinks are a global problem today, including the Big Lie.

“It is a big problem today, this relationship with the truth, and something that obviously the film deals with absolutely is the most dangerous part is when the liar starts to believe the lie,” she said. “It is sort of relevant to the old Soviet era, the systems we labored under, where we know they are lying, they know that we know and don’t give a damn, and we don’t give a damn either…I think it is very nightmarish.”

Usually film noir is in black and white, but this was shot in color. However, as we were chatting this morning I told Blanchett, who was Zooming in from England, that it was just announced there will be a special black-and-white version of the movie released to select theaters in January. I for one can’t wait. “Guillermo talked about it when we were shooting saying ‘Oh maybe this should be in black and white but they’ll kill me,’ but it is so great they finally are getting to do that,” she said. “I don’t enjoy watching myself on screen, but I loved watching this movie so I will queue up and buy a ticket.”

Blanchett not only has Nightmare Alley this holiday season, but also the hilarious, timely and pertinent Don’t Look Up, the all-star Adam McKay comedy in theaters and hitting Netflix next week. The pic uses the premise of an impending comet about to destroy Earth as a wry comment on the lack of urgency by many for the distinct dangers of climate change.

I wondered if she was now picking movies like these two that not only have great entertainment value, but also have something important to say; both films were nominated this week for Best Picture by the Critics Choice Association. “It is very rare that two movies come along like this in relatively quick succession and you get to be a part of it,” she said. “Both of them have such exceptional casts, with two incredibly distinctive directorial voices, and you’ve got all of these people working at the top of their game in films that deal with very contemporary relevant issues but doing it in a way through allegory and metaphor and satire, so that there’s no agitprop preaching quality to either film at all. They are there to hold the audience’s hand and entertain them and hopefully leave them feeling more deeply, connecting maybe. It is very rare. I feel pretty blessed to have been a small part of both.”

032c Magazine

Source: Variety, Deadline

Cate Blanchett covers 032C Issue #40; & Don’t Look Up and Nightmare Alley updates
Posted on
Dec 9, 2021

Cate Blanchett covers 032C Issue #40; & Don’t Look Up and Nightmare Alley updates

Hi, Blanchett fans!

Cate appears in one of the covers of 032c Issue #40 with Riccardo Tisci, who is the current chief creative officer of Burberry. A new character poster of Cate as Brie Evantee in Don’t Look Up has also been released plus a new clip from Nightmare Alley. Both movies are on National Board of Review (NBR) and American Film Institute (AFI) top 10 movies of 2021. There’s also a short interview with Cate published by The Guardian.

032c Issue # 40 – Winter 2021/2022

The 032c Issue #40 cover dossier, “The Road to Burberry,” explores how 47-year-old Italian creative director Riccardo Tisci came to the 165-year-old British heritage label Burberry. Joining along the way are actress and two-time 032c cover star CATE BLANCHETT, photographers Mert & Marcus, artist Thomas Jeppe, and poet Caconrad, for an 80-page journey charting the course of 21st century fashion. Elsewhere, two generations of UK Rap Royalty collide as Skepta and Little Simz don Bottega Veneta in London for a shoot by Gabriel Moses. Ilya Lipkin shadows the Supreme team as they skate Berlin. Political scientist Mark Leonard explains The Age of Unpeace – and how the global systems that once connected us have come to tear us apart. Bodies revolt in the works of German artist Alexandra Bircken, outerwear reaches peak genius in the hands of Moncler CEO Remo Ruffini, and the films of Michael Mann flood our world with blue in a treatise by Mahfuz Sultan. Jordan Barrett is airbrushed to bootlegged perfection for a countryside shoot with Bruno Staub and Vittoria Ceretti sparkles in the night for Vito Fernicola in two features styled by Marc Goehring. Power duo Ana and Danko Steiner couple architecture and desire. Ana Ofak revives the legacy of Svetlana Kana Radevic, the unsung heroine of Balkan brutalism. Voices from the 032c.com cosmos reflect on the monstrous, alien, infectious, clairvoyant, shape-shifting, devious, and transcendent present in our new X-FILES section.

The magazine is now available for order on 032c website.

Click image for bigger size:

Don’t Look Up and Nightmare Alley on NBR and AFI Top 10 films of 2021

NBR – The honorees will be feted at the NBR Awards Gala, hosted by Willie Geist, on Tuesday, January 11, 2022.

Top Films (in alphabetical order)

Belfast
Don’t Look Up
Dune
King Richard
The Last Duel
Nightmare Alley
Red Rocket
The Tragedy of Macbeth
West Side Story

AFI AWARDS – The honorees include 10 outstanding films and 10 outstanding TV programs deemed culturally and artistically representative of this year’s most significant achievements in the art of the moving image. The honorees will be celebrated on January 7, 2022, at a private reception, and beginning on January 8, 2022.

Here’s a short clip from Nightmare Alley:

Don’t Look Up Character Poster – Brie Evantee

Cate Blanchett on her end-of-the-world plans

If a massive meteor were expected to collide with Earth in six months’ time, what would our leaders do? Everything in their power to stop it? Or everything possible to leverage it for political and financial gain?

How about the rest of us? How would we cope with the prospect of impending apocalypse? By facing the end of the world with sobriety and compassion? Or drowning ourselves in sex, drugs and celebrity gossip? Might some of us even enjoy the drama?

Adam McKay’s new film, Don’t Look Up, is a starry satire addressing these questions with a broad brush – and fresh urgency. It is that rare thing: a mainstream movie that seeks genuinely to engage with the issues dominating the news and plaguing our dreams.

Jennifer Lawrence and Leonardo DiCaprio play the misfit scientists who spot the comet; Meryl Streep is the Trumpian president who seeks to sweep this species-ending event under the carpet until it is expedient.

Cate Blanchett and Tyler Perry are the remorselessly lightweight hosts of a US daytime talkshow on which the news is broken, Mark Rylance the creepy tech billionaire with ambitions to be the messiah who saves humanity.

Here, Blanchett answers questions about how she would face the end of the world as we know it.

If extinction were imminent, which daily chore would you stop immediately?

Stockpiling toilet paper. I do find routine strangely comforting, though. So I might, sadly, go into routine overdrive. Baking like there’s no tomorrow – when there actually wouldn’t be one.

Where would you want to see in the apocalypse – and with whom?

I guess dancing up a storm in the living room with my husband and children, and the farmer from across the way. Man, that farmer can dance.

What do you find terrifying?

Leaf blowers. They encapsulate all that is wrong with us as a species.

Do you think Covid has brought into focus how rich many people’s lives used to be?

I’m not really a believer in “the good old days”. Richer before? I’m not so sure. Things weren’t working for millions of people before the pandemic. Systems were already broken, or breaking open. You could say the pandemic just made these fissures and inequities undeniable. It certainly brought into focus how possible it would be to implement a basic living wage.

Do you subscribe to any conspiracy theories?

Conspiracy theories freak me out; I mean, the fact that they are believed at all keeps me awake at night. I relish them in movies and novels – where they belong.

What is the most propulsive thing that has ever happened to you?

Giving birth. That and spending 36 hours in the eye of a hurricane off the coast of Greenland.

Source: The Guardian, NBR, AFI