Cate Blanchett at For Sama Screening and New Podcast Interview
Posted on
Apr 25, 2022

Cate Blanchett at For Sama Screening and New Podcast Interview

Happy Monday, everyone!

Tonight in New York, Cate will be honored at the 47th Chaplin Awards but while we wait Film Comment has released the podcast interview they did with her discussing her most memorable roles. Cate also moderated a Q&A last night for the documentary For Sama.

Podcast

Every year, Film at Lincoln Center honors a luminary of the film industry with the Chaplin Award. This year’s recipient, the 47th, is an actress who has essayed some of the most iconic performances of the last quarter-century, and whose nearly superhuman versatility is matched by the consistency of her craft: Cate Blanchett. In an in-depth tribute essay, the scholar Amy Herzog writes that “Blanchett’s almost otherworldly range has generated certain tropes in reviews of her work: she is often described as ‘chameleonic,’ or said to ‘disappear into the character. But these takes, which suggest an innate and natural ability for imitation, or even an erasure of the self, don’t capture the careful calibrations of Blanchett’s craft.”

A couple of weeks ago, I sat down with Blanchett to dig into those calibrations and the process behind some of the most interesting performances of her career. We discussed her iconic turns in Jim Jarmusch’s Coffee and Cigarettes, Todd Haynes’s I’m Not There, Taika Waititi’s Thor: Ragnarok, and some deeper cuts, like her early roles in the Australian miniseries Bordertown and Tom Tykwer’s Heaven (which was written by Krystof Kieslowski).

Film Comment

FOR SAMA Screening

Cate moderated a Q&A for the documentary FOR SAMA after a screening at Forest Row Townhall. The documentary is directed by Waad Al-Kateab and Edward Watts and has been nominated for Best Documentary Feature at the 2020 Academy Awards. The screening was originally scheduled in March 29th 2020 but was cancelled due to COVID lockdown. Cate has also previously hosted a screening of the movie in November 2019.

FOR SAMA is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her.

There is also campaign to end targeted attack on hospitals in Syria. You can check more information about #ActionForSama here.

Source: For Sama

Cate Blanchett’s new executive produced docu series, Burning
Posted on
May 18, 2021

Cate Blanchett’s new executive produced docu series, Burning

Hi, everyone!

Cate Blanchett’s Dirty Films production company with her husband, Andrew Upton has a new project to executive produced. Read the details below.

Cate Blanchett’s ‘Burning’ Heads Amazon Prime’s Expanded Production Slate in Australia

Amazon Prime Video has unveiled the production of seven new original shows to be produced in Australia, including bush fire feature-documentary “Burning,” executive produced by Cate Blanchett.

“Burning” is a feature-length documentary from executive producers Blanchett and Eva Orner, who also serves as director. It examines the 2019-20 bushfires from the perspective of victims of the fires, activists and scientists. It is produced by Propagate Content, Dirty Films and Amazon Studios, and will launch on Amazon Prime later in 2021.

Source: Variety

Stuart X and This Changes Everything available on streaming
Posted on
Feb 2, 2020

Stuart X and This Changes Everything available on streaming

Hello Blanchetters!

Two projects from last year are now available on streaming.

This Changes Everything, an investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry, is available on Amazon Prime/Starz. You can watch it here.

Stuart X, narrated by Cate and directed by Thibault Upton (that we thank for reaching out to us to let us know about this), is available on Youtube, and you can watch it below. Enjoy!

Cate Blanchett narrates the documentary Stuart X
Posted on
Nov 3, 2019

Cate Blanchett narrates the documentary Stuart X

Hello dear Blanchetters!!

Cate visited the recording studio one again to narrate a 5 minutes documentary: Stuart X, directed by Thibault Upton. The documentary is currently touring film festivals

Stuart X is a passion project and 5 minute documentary commissioned by The Fragile X Association of Australia.

Stuart Iredale was born with Fragile X during the 1950s; a time when the disability was little know. He was misdiagnosed with mental illness and spent 40 years of his life in psychiatric hospitals where he was misunderstood, drugged and abused.

At 60 years old Stuart was correctly diagnosed with Fragile X. He now has a set of processes and care that provide him with an entirely different quality of life.

Today he has shown progress towards recovery from years of mistreatment and responds to music therapy by dancing.

If you want to know more about this disability, check ot the official site here

(The picture above it’s from the Blackbook’s Oct/Nov 2007 editorial by Warwick Saint. It can be found here)

This Changes Everything – South Korean Promotion
Posted on
Oct 21, 2019

This Changes Everything – South Korean Promotion

Hello dear Blanchetters!

As you may know we are looking for reinforcements to keep the site updated more frequently. Please check our social media for more infos.

In the meantime, let’s talk about This Changes Everything! Does it ring a bell? Well, it should. The documentary is one of the many “small” projects dear to Cate. Shot in 2018, directed by Tim Donahue and produced by Geena Davis, we had to wait till July to get a limited release in America and in then in Canada.

Now the movie is coming to South Korea (October 31st) and two new trailers were released by the main distributor. We also have some posters. The material may be found here. Scroll down to a lovely gif of Cate. Enjoy!

This Changes Everything – First trailer, special screening and promotional material
Posted on
Jun 18, 2019

This Changes Everything – First trailer, special screening and promotional material

Hello dear Blanchetters!

The first trailer for This Changes Everything has been released a couple of days ago, but there isn’t a single frame with Cate. The trailer announces that wider release is set for July 22nd during a special screening in US cinemas (the documentary is set to debut on June 28 for a limited release). Tickets can be bought here


No pictures from the trailer, but fear not! The official Instagram account is promoting the movie, some stills may come from it. Stay tuned!

Official Facebook

Peter Lindbergh – Women’s Stories featuring Cate Blanchett for W
Posted on
Jun 8, 2019

Peter Lindbergh – Women’s Stories featuring Cate Blanchett for W

Hello Blanchetters!

We have just found out a brand new documentary featuring some unseen footage.
A quick recap: back in 2016 W Magazine, for its yearly Oscar issue commissioned the cover photoshoot to the great Peter Lindbergh. The famous photographer has filmed the creative process and released it in two different videos.

This Febrary, during the last Berlin Film Festival a new documentary dedicated to Peter Lindberg was amongst the competition: Peter Lindbergh – Women’s Stories.


In the documentary’s trailer there are few seconds of new footage from that Best Performance editorial from 2016.


The feature opened in Germany on May 30. There aren’t any news of a possible distribution outside Germany.

This Changes Everything – Next screenings and limited release
Posted on
Apr 2, 2019

This Changes Everything – Next screenings and limited release

Hello everyone!

This Changes Everything is one of the many projects Cate was involved in during 2018. And we have news about it.
The documentary, produced by Geena Davis, that take an investigative look and analysis of gender disparity in Hollywood, has been touring film festivals since last fall, when it debuted at Toronto International Film Festival.

For those unwilling to wait for the cinamtic release, the project will be screened at RiverRun International Film Festival (more infos here), at Minneapolis St Paul International Film Festival on April 11 (tickets here) and the 38th Instanbul Film Festival (tickets here). The documentary is part of the Women in Power Conference (infos here) and it will open the Artemis Women in Action Film Festival on April 26 (tickets here)

According to Rotten Tomatoes the limited release, announced few months ago by Deadline is set for June 28, 2019.

At the time there is not an official trailer, but you can hear what this is all about from the director’s own voice. Enjoy!

Updates | Documentary Now! episode “Waiting for the Artist” featuring Cate Blanchett
Posted on
Mar 10, 2019

Updates | Documentary Now! episode “Waiting for the Artist” featuring Cate Blanchett

Hello everyone!

Have you watched Documentary Now! episode “Waiting for the Artist”?
We have and we think Cate is amazing as perfomance artist Izabella Barta! The episode is hilarious and memorable!
If you haven’t watched it yet, make sure you do!
Here are our updates on this awesome project. Enjoy!


‘Documentary Now!’: The Incredible Cate Blanchett Episode That Had to Be Made in Four Days

There are few TV shows with as much obsessive attention to detail as “Documentary Now!” That’s probably why it came as no surprise to series co-creators Alex Buono and Rhys Thomas that one shot of Cate Blanchett riding a mini tricycle in a massive Hungarian courtyard ended up taking a big chunk of an entire day.

“There was one moment in it where she’s riding on a tricycle in the square. And that’s on screen for like five seconds. And that probably cost us about five hours to get that shot. When you’re shooting for four days total, that was an expensive shot to get. But it’s worth it because they’re just going to take place as her somewhere,” Buono told IndieWire.

It’s the kind of creative choice that “Documentary Now!” has the freedom to make, given its bizarre mission statement. Over 17 episodes to date, the IFC series has taken some of the most venerated and iconic documentary films and flipped them on their head. But in the process of crafting these comedic versions, they still have to follow some of the same filmmaking tenets that govern the works they’re parodying.

Read More:‘Documentary Now!’ Trailer: That’s Not Actually Marina Abramovic, That’s Cate Blanchett
“You’re making a documentary. So the ability even just to put it up for a few frames, it has an immense value to opening up the scale,” Thomas said. “Sometimes the crew’s like, ‘Do you really need that thing?’ I feel like we always push to do more of that.”

The series, now in its third season, has tackled plenty of the biggest documentary titles of recent years. The show’s most recent episodes have tackled parody versions of “Wild Wild Country” and the classic D.A. Pennebaker look behind the recording of the Broadway cast album for the Steven Sondheim musical “Company.”

This week’s episode has a slightly more narrow focus — the 2012 Matthew Akers film “Marina Abramovi?: The Artist Is Present” — but it enlisted the services of Blanchett, arguably the show’s most famous guest cast member to date. Luckily for the show, she came in with the same level of preparation that goes into making these episodes feel so close to the spirits of their predecessors. Playing this exaggerated version of notorious performance artist Abramovi? (the “Documentary Now!” version is named Izabella Barta), Blanchett plunged into all the wild riffs that the script called for.

“The way she threw herself into it was unforeseen. We knew she’d be good, but you don’t know until they walk up on set whether that they understanding the tone and the level of commitment, you know?” Thomas said. “But once she was on board, she was doing all this research. She had teeth made to shift her jawline. She had 15 wigs or something that she worked on with her longtime hair or makeup people. Her commitment to the detais matched our detail-oriented thinking.”

Filming all of Blanchett’s scenes in such a short time period meant not just making sure that all the logistical details were in place before production, but that the team could construct an entire fictional life’s worth of archival and artistic material in a single day.

“We basically created the body of work of her entire career. We had one day to do that because we needed to get all that footage and put together to projections and photos and stuff for the actual exhibit that we did at the end. We prepped like nuts. We were in Budapest about two weeks before we did it. Just seven days of 20-something-hour days, really trying to get it dialed in.”

One setpiece in particular gave the team an unexpected hurdle. One of the fake performance art pieces called for a prop toilet stall. In venue after venue, from the lodgings that inspired “The Grand Budapest Hotel” to one of the city’s famous train stations, the people in charge of the venues repeatedly balked at having something bathroom-related in a public space.

“Cate Blanchett is going to be in lingerie and she’s going to be lapping up milk and there’s going to be a cat there. She’s going to be tied to a wall,” Buono said, describing the pitch at various locations. “Then we said, ‘OK, we’re going to put a toilet stall right here.’ The Hungarians were just like, ‘Wait a minute, what do you mean a toilet stall? This is offensive that you would even suggest that.’ They wouldn’t budge.”

Eventually, they obtained clearance to film the scene in the Budapest Opera House. But that necessity of being flexible in the face of absurdity is a reflection of the same things the show asks of its performers, too.

“You’re moving so fast that unlike other shows, you don’t have trailers. Because the talent is never gonna go back to the trailers. It’s just, ‘No, no, no, stay with us. You’re gonna be shooting again in five minutes’” Buono said.

It all goes back to the insane weekly time crunch of another show that gave so many of the creative team their start.

“So many of us that make the show came from ‘Saturday Night Live’ and had been there for a very long time. I think a lot of our crew would rather not be that way, but we all respond really well to quick [turnarounds],” Buono said.

“It’s kind of exciting,” Thomas added. “That’s always the challenge of, ‘Well, how are we going to do it?’”

Source

‘We Hope She Likes It’: Fred Armisen Explains How He and Cate Blanchett Parodied Marina Abramovic and Ulay

This week, the world was finally treated to “Waiting for the Artist,” a pitch-perfect parody of the 2012 documentary Marina Abramovic: The Artist Is Present.

The mockumentary, which is part of the third season of Documentary Now!, stars two-time Academy Award winner Cate Blanchett as Izabella Barta (a thinly veiled Abramovic) and Fred Armisen as Dimo (a fictionalized Ulay, the artist who collaborated with Abramovic in in the 1970s and ’80s).

Throughout the episode, we follow Barta as she struggles to come up with a new work for an upcoming show in Budapest. “The question on everyone’s mind that they’re not saying is, ‘does she have anything new to say?’” Dimo tells the filmmaker. “I think maybe not; her best work is in the past.”

The show is full of small delights for art-world insiders. There’s a Klaus Biesenbach-type curator, an appearance by the real-life Mr. Brainwash, and even a sequence in which Blanchett (as Barta) trains young performance artists, which is presumably inspired by Abramovic’s plans to open the Marina Abramovic Institute for the Preservation of Performance Art.

There is also a clever bit of gender politics. In the show, Barta labors to advance her career, while Dimo, a lazy unoriginal, and conceited artist, finds success easily. “I put no thought and no time into it,” he says at one point about one of his exhibitions. “Opening night, I went to the store and bought a bunch of crap,” including a fork and a toothbrush that he displays to acclaim.

Barta, on the other hand, is best known for her piece Bucket Series, in which the audience is invited to litter the gallery floor with all sorts of objects before the artist rushes in with bucket over her head, racing to answer a phone ringing in the center of the room.

In an interview with artnet News, Armisen was quick to clarify that he has nothing against Ulay. “In any narrative piece, you need a sort of villain, for lack of a better word,” he says. The choice to make Dimo lazy was plot driven, providing a foil to Barta’s unfailing dedication to her work.

One commentator in the show sums up their relationship thusly: “you had a woman who risked everything for her art, and a man who risked nothing.” (In real life, Abramovic and Ulay have had their ups and downs, but have set aside their differences in recent years, even making plans to write a joint memoir.)

We talked with Armisen about the episode, the challenges of parodying art, and waiting in line at art museums. This conversation has been edited and condensed for clarity.

What was it like filming this episode with Cate Blanchett?
We shot it in Budapest, and there was a video art piece at the museum with Cate Blanchett in it. A total, total coincidence! [Julian Rosefeldt’s Manifesto, in which Blanchett plays 13 different roles, was at the National Gallery from May 30–August 12, 2018.]

Amazing! That’s a great piece. And it really shows what a chameleon Cate is.
We weren’t prepared for how much work she was going to put into it! She showed up with her own wardrobe, with outfits that were like Marina’s. Cate even had some sort of dental things to make her look more like Marina. Sometimes I like to fancy myself the person who over-prepares and really gets into it—she was 10 times that. She could have done the whole episode on her own. The accent, the posture, oh man, it was incredible.

Even her skin had the right kind of… sheen.
Yeah! Whatever that quality is, she had it.

Did you see the MoMA show?
No! There was a line! I saw the movie and I love pieces like that, but I can never wait in line to see art. It’s not that I’m a snob, it’s that I can’t enjoy it if i’ve been waiting. It’s too much for me. I like a nice empty gallery, an empty performance.

Have you spoken to Marina about the episode at all?
No! I wish I did. I’ve never met her. Let her know that we are huge fans and we hope she likes it.

Why is she a good parody subject?
The boldness of her presence—and I know her documentary is called The Artist Is Present—there is something about that, the fact that it moved so many people. That, I think, is moving. If a band has a hit record, something worked, something resonated. I consider her to be somebody who had a hit piece, a hit art performance. It’s a rare thing to hit the mainstream. It happens sometimes 100 years after you’re dead. The fact that she did that in present day is really rare. How great is that? I really respect her art.

What’s your favorite part of the episode?
I like the footage of Cate putting the pail over her head with the marbles on the floor. It just made me laugh. It’s a silly part to it—I underestimate silliness.

I loved the Mr. Brainwash cameo. Any chance you guys would do a Exit Through the Gift Shop parody?
Maybe. It’s just too hard to really nail. We kind of did one on Portlandia, where one of the characters thought he was Banksy. He saw some graffiti and he was like, “oh that looks like my handwriting. I wonder if I’m Banksy?” Whenever you depict art, it’s very difficult because it can come off as just lazy or easy.

Source



BTS photos from Documentary Now Instagram

See visual guide of Cate’s perfomances on Documentary Now >>here

New video and still of Documentary Now! episode with Cate Blanchett
Posted on
Mar 6, 2019

New video and still of Documentary Now! episode with Cate Blanchett

Hey everyone!

Tonight, the Documentary Now! episode “Waiting for the artist” starring Cate Blanchett and Fred Armisen will be airing on IFC Network (11 pm). After tonight, the episode will air again Saturday 3:30 am and then 6am (Thanks to Bello from CBF Chat for this info). For more info check IFC site
While we wait for tonight’s show, let’s enjoy a new video and still of Cate as Izabela Barta!