Cate Blanchett in Porter Magazine; & New Nightmare Alley Clips, and Don’t Look Up Still
Posted on
Nov 29, 2021

Cate Blanchett in Porter Magazine; & New Nightmare Alley Clips, and Don’t Look Up Still

Hello, everyone! Feeling ecstatic with this new Cate update!

Cate covers Porter Magazine. We have updated the gallery with the editorials and the outtakes. There are new footage from Nightmare Alley clips, and Vogue published an article on the costumes in the movie. Also, new still from Don’t Look Up has been released.

Leading Light with Cate Blanchett

Few actors have the cachet of CATE BLANCHETT, but what really drives the multi-Oscar-winning star these days? She talks to AJESH PATALAY about choosing projects that provoke, overcoming parenting challenges and why she’s not interested in ‘winning’ the scene

Click image for higher resolution

When Cate Blanchett finds her groove, it’s like a wind catching in her sails – and a wonderful thing to behold. She’s currently in Berlin, where she’s shooting Tàr, a movie written and directed by Todd Field, in which she plays an eminent music conductor. Having just come off a night shoot when we speak, the actor takes a few minutes to revive. Talking about Berlin, a city she adores, instantly warms her up. “There are so many expat Australians living here,” she effuses. “I feel very at home.”

Next, Blanchett moves into enthusiastic discussion about Tàr, in which she gets to conduct (or pretend to) a full orchestra: “It’s been astonishing. Just to be vibrating in that space with that many musicians.” This leads her on to a rhapsody about a National Trust performance that was broadcast live during the first UK lockdown in 2020, for which five musicians in different locations began playing as daylight broke where they were, building from a solo to a quintet. “My husband and I lay there – we’re sort of on a hill…” Blanchett says of the manor estate in East Sussex (which includes an orchard where, naturally, she presses apples in her downtime), where she lives with her playwright/director husband Andrew Upton and their four children. “We just watched the dawn, in russet mantle clad, emerging,” she says, quoting Shakespeare, “knowing there were about 5,000 other people listening to this music. It was the most beautiful gift that came out of the pandemic.”

Five minutes later, we’re on to climate change and Blanchett is firing on all cylinders. The subject is her next release, Don’t Look Up, a boisterous satire from writer/director Adam McKay about two astronomers (played by Leonardo DiCaprio, himself a fierce advocate for climate action, and Jennifer Lawrence) who try to warn mankind about an approaching comet that will destroy Earth. Everyone, from clickbait pundits and tech billionaires to inept presidents, is subject to ridicule in a story that becomes an obvious metaphor for global warming. Blanchett plays a TV talk-show host, a model of artificiality with bleached-blonde hair, blinding white teeth and impossibly bronzed skin. “Actually, it’s a revolting moment when you wash that makeup off and see the sludge going [down the drain],” she recalls. “It’s quite confronting.”

On the environmental matters that inform the film, she doesn’t sugar any pills. “Everyone is trying to be positive, talking about 1.5 degrees of global warming,” she says. “But 1.5 would still be disastrous. We need to be fucking scared… and demand change; be collectively courageous enough to face that fear and do something about it.” The movie, for all its doomsday messaging, is actually a laugh a minute. And there’s a particular thrill in seeing so many Hollywood stars onscreen at the same time. One pivotal scene in the White House Situation Room brings together five Oscar winners and one Oscar nominee: Blanchett, DiCaprio, Lawrence, Meryl Streep (who plays a catastrophically useless president), Mark Rylance and Jonah Hill.

What was it like being in that room? “It did feel like a Last Supper,” Blanchett says, but this was less a measure of the star wattage than of the strict Covid protocols that were in place, along with the film’s apocalyptic plot. Still, she concedes, getting to high-five Streep (which is the extent of their interaction onscreen) “was great”.

At the same time, Blanchett stars opposite Bradley Cooper in Guillermo del Toro’s Nightmare Alley, a period noir set in the world of a traveling carnival that follows the “rise and fall of a liar”, according to del Toro. Many will see the film (like Don’t Look Up) as a response to the Trump era. “I definitely think this was something boiling in Guillermo,” says Blanchett. “[The film] is a real dark night of the soul. You watch a man breaking the rules, getting away with it… and refusing to show sympathy or compassion.”

McKay has said Don’t Look Up was inspired by a litany of “disastrous presidents”. And Blanchett points to other populist leaders, remarking on the common thread. “I’m hoping it’s a white-male ghost dance,” she says. “They realize they’re on the edge of extinction and they’re panicking. We’re witnessing them in their death throes, which is why it’s so aggressive and destructive.” I ask if, on the contrary, such leaders could see a resurgence. “That’s why people have to vote,” she fires back. “And exercise their power. I’m sounding like I’m on a soapbox, which I’m not interested in, but it’s important to not give in. I’m not giving up hope. As I say to my kids [on climate change], if we’re going out, how do we choose to go out? It’s a terrible conversation to have with your 13-year-old, isn’t it? But anyway. We do laugh around the dinner table. That’s what’s good about Adam’s film. You have to laugh.”

Understandably, Blanchett prefers discussions about her work and not to be caught soapboxing. “I couldn’t be less interested in agitprop [or] telling people what to think,” she says. But she is drawn to films that “ask provocative questions” and she isn’t afraid to get behind causes she believes in, such as Prince William’s Earthshot Prize, which awards contributions to environmentalism. She also recognizes how fraught being outspoken in public can be. “You have to be judicious,” she says. “I’ve been asked to do things by people and I’ve said, ‘I think I’m going to be a liability’.” Her presence can derail a debate, she acknowledges, as she draws the focus over the issues.

She also sees how polarized – and mired by point-scoring – public discourse has become. “I’m very sad about the loss of genuine debate,” she says, “where leaders, public intellectuals and everyday citizens try to find common ground, try to understand the issue, rather than try to win… Even in acting, people talk about [how] to ‘win’ the scene. No, we have to make the scene come alive. And we might have to lose a bit here, win a bit there.”

iven how social media is sharpening the debate, I wonder how much that comes up in conversations with her teenage children Dashiell, Roman and Ignatius, and her youngest, Edith. “A lot,” she says. “Because so much of our so-called information comes through social media. I’m old enough to have been taught at school what a primary, secondary and tertiary source is. I say to the children when they mention something, ‘Where did you read it? Who has [authenticated] that? You have to learn how to read an image and article. And if you’re going to share something, you’d better make sure you have checked the sources.’ Of course, they roll their eyes. But when you hear them talk to their friends, I think they’re responsible. My son is studying physics and philosophy, so he is really interesting to talk to about [technology]. I don’t want to become a separated generation, because I also feel responsible for the landscape he is about to emerge into as an adult.”

On to lighter topics and there’s still one question of vital, global importance I have yet to ask: what did Blanchett make of Adele holding her up as ‘her style icon’ in a recent interview for Vogue? The actor laughs. “I was absolutely chuffed! I think she is amazing. So down to earth. Our paths crossed when she came to Australia on tour.”

As for her own style icons, Blanchett cites Iris Apfel and Fran Lebowitz. And her regard for fashion can be traced back to her early years playing dress-up with her sister: “My sister would dress me up and I would pretend to be whatever the costume told me to be,” she recalls.

She’s clearly not lost her appetite for childish play because, when asked to name the role she’s most enjoyed playing across her illustrious career, it isn’t the historical dramas, fantasy epics or action blockbusters that first spring to mind. It’s “voicing a monkey” in Guillermo del Toro’s upcoming version of Pinocchio. “That was hilarious,” she says. “I’d listen to a lot of different chimpanzees, then try everything out. You go back to being six years old. I mean, I have a six-year-old, so [I did] a bit of work with [her] too.” That must have been fun for her daughter. “Actually, she got rapidly sick of my noises,” Blanchett smiles. “Hopefully, the audience won’t.” As if we ever could.

‘Don’t Look Up’ is in cinemas from December 10 and on Netflix from December 24. ‘Nightmare Alley’ is in cinemas from December 17 (US) and January 21 (UK)

Porter Magazine

Creating the Costumes for the Charlatans, Hustlers, and Con Artists of Guillermo del Toro’s Nightmare Alley

Nightmare Alley is Del Toro’s homage to classic film noir, where a character’s alluring façade can mask ulterior motives. Take Dr. Lilith Ritter, a glamorous psychiatrist who attempts to expose Stanton as a fraud before getting tangled in his web of deception. She’s played by Cate Blanchett in full femme fatale mode, and her collection of stylish gowns and velvet capes reveals more about the character than any verbal description.

“Luis designed a reality with his costumes that reflect personality and help tell the story,” Del Toro says. “Leather, wool, embroidery—they all define character and integrate visually to a color and texture palette, seamlessly.”

Ahead of Nightmare Alley’s December 17 premiere in theaters, Sequeira shared some of his costume sketches with Vogue and spoke about bringing Del Toro’s sinister world to life.

Dr. Ritter represents the world of distinguished old money that Stanton wishes to inhabit. Sequeira cites her as his favorite character to dress in Nightmare Alley, drawing inspiration from Paris fashion sketches from the ’40s for Blanchett’s designs. “It was all about working with Cate’s body frame and making her look as beautiful as possible, which isn’t difficult,” he says. The designer culled materials from various archives across Spain, Italy, and the U.K., pulling different types of velvet for Dr. Ritter’s collection of glamorous eveningwear. “There’s one gown that had little brass stitching throughout, so in the low lighting of the Copa, any kind of movement really made the fabric sing.”

Click image for higher resolution and more concept art photos:

Check these two new clips with some unseen clips from the movie.

 

Vogue

Don’t Look Up

Don’t Look Up offers plenty of comedic knives for Trumpism (the title is the rallying cry of science deniers), but it’s also a brutal send-up of the media. Cate Blanchett’s take on a morning show anchor for a show called The Daily Rip is as close to Mika Brzezinski as one could get without being an impersonation. Even The New York Times comes in for a spanking.

Vanity Fair

Armani Beauty Video Series featuring Cate Blanchett; Nightmare Alley Screenings
Posted on
Nov 9, 2021

Armani Beauty Video Series featuring Cate Blanchett; Nightmare Alley Screenings

Hi, everyone!

Armani Beauty is releasing a video series celebrating the craft of make-up artistry. Cate will appear in a video with her friend and long-time make-up artist, Mary Greenwell.

In film updates, Nightmare Alley will have its first confirmed screening on December 1st, 2021. And thanks to our former member admin, Mary, who found the information about Symphony of the Invisible, a documentary which featured a voiceover of Cate from Manifesto. You can click the link below to watch. Also, check the cute video of Cate that Morag Ross shared as they prepare for today’s shooting for TAR.

Armani Beauty

 

Nightmare Alley

The December 1st screening for Nightmare Alley will be at Fox Lot – Blakeley Theatre in Los Angeles, CA. The screening for that day is already and it is for critics and industry members only. Early screenings in New York at Bryant Park Hotel Screening Room which will begin on December 2nd are also full.

 

Here is the official synopsis of the movie:

When charismatic but down-on-his-luck Stanton Carlisle (Bradley Cooper) endears himself to clairvoyant Zeena (Toni Collette) and her has-been mentalist husband Pete (David Strathairn) at a traveling carnival, he crafts a golden ticket to success, using this newly acquired knowledge to grift the wealthy elite of 1940s New York society. With the virtuous Molly (Rooney Mara) loyally by his side, Stanton plots to con a dangerous tycoon (Richard Jenkins) with the aid of a mysterious psychiatrist (Cate Blanchett) who might be his most formidable opponent yet.

Searchlight will also be campaigning Cate in Best Supporting Actress category, and the cast for Best Ensemble:

Symphony of the Invisible

“Symphony of the Invisible” is a reflection on creation and how through art, poetry and images you can break the limits that have been imposed on language and life itself.

Click the image to watch:

 

Source: Searchlight, FYC

Cate Blanchett News Compilation
Posted on
Nov 21, 2020

Cate Blanchett News Compilation

Hi, everyone!

We’ve compiled the latest new on Cate these past weeks. She narrated a short video for Beirut, Lebanon and participated in Experience Camps’ Talk About Grief (TAG). New image for Armani Beauty Holiday Campaign is out.

Risposta affermativa. Intervista a Cate Blanchett

Dal 2013 Cate Blanchett e? la testimonial di Si?, la fragranza di Armani. E anche se non ci tiene a lanciare messaggi planetari, non rinnega l’impegno. Perche? «viviamo in tempi molto introspettivi, c’e? davvero bisogno di aprirsi agli altri»

«Non mi permetto di dire alle donne cosa debbano fare. Ognuna deve essere fedele alla sua natura: e? quello che conta di piu?. Solo se sei davvero onesta con te stessa, quando ti chiedi perche? dovresti dire Si? o No, sai cosa risponderti. E comunque, parlando in generale, preferisco i Si? ai No. Viviamo in tempi comprensibilmente molto introspettivi e c’e? davvero bisogno di essere aperti».

Anche se non e? un periodo facile per fare la testimonial di un profumo che e? una dichiarazione d’intenti esplicita e un po’ rischiosa (dire Si? significa infatti aprirsi al mondo e alle opportunita?), Cate Blanchett prosegue con imperturbabile entusiasmo la sua missione di volto ufficiale della fragranza piu? intrepida di Armani, arrivata ormai al suo settimo anno e a una versione in rosso metal (Si? Passione) dedicata a donne forti e assertive. Che dicono Si?, insomma, solo a quello che pare e piace a loro.

A proposito di donne assertive, e? arrivata di recente in Italia (su Timvision) l’ultima serie di cui lei e? protagonista, Mrs. America, incentrata sulla parita? dei diritti delle donne nell’America degli anni 70. Come e? cambiato il femminismo da allora a oggi?

La serie parla di politicizzazione dell’equita?, di come la richiesta di parita? e uguaglianza sociale da parte delle donne sia diventata una richiesta politica. E? la stessa cosa che sta succedendo adesso con le mascherine. Indossarle si sta trasformando in un gesto politico che, alla base, non lo sarebbe: dovrebbe riguardare soltanto la responsabilita?, il rispetto e la democrazia.

Di recente ha dichiarato che preferirebbe essere chiamata attore e non attrice.

Mi riferivo a un episodio successo a Berlino (la controversa decisione del Festival del Cinema di Berlino di non assegnare premi di genere, ndr). Quando ho iniziato la carriera, la parola “attrice” aveva un senso peggiorativo ma non ho mai pensato che il mio lavoro fosse diverso da quello che faceva un uomo. Il femminismo e? questo: la richiesta di un’uguaglianza genuina, sofisticata, orientata al futuro.

Cos’e? la bellezza per lei? Crede ci siano parametri universali?

Non credo che la bellezza abbia tanti significati diversi. Adesso, pero?, mi sembra piu? evidente che, quanto in passato si considerava bello in un senso mainstream, forse non lo sia cosi? tanto. Ho sempre fatto mia la visione giapponese in base alla quale la bellezza deve avere delle imperfezioni per essere tale. Non sottoscrivo invece l’estetica plastificata: la perfezione non e? perseguibile. E ogni cosa diventa piu? interessante proprio quando inizia a decadere. E per quanto riguarda i parametri universali: no, la bellezza deve sorprendere.

Che rapporto ha con Armani?

Condividiamo l’amore per l’oceano. Per questo sono cosi? contenta di vivere in Australia. E dopo averne parlato svariate volte con lui, alla fine sono riuscita a convincerlo a venire a visitarla. Mi venne anche a trovare nel teatro dove stavo lavorando e fu generoso e gentile, volle incontrare tutte le persone che erano li? con me. Erano tutti eccitatissimi all’idea di conoscere Giorgio Armani e lui fu disponibile con tutti.

Cosa le piace del suo stile?

Quando ero adolescente ero attratta, e lo sono tutt’ora, dagli abiti con una silhouette maschile, e Armani e? stato uno dei primi a proporli. Lo ha fatto anche Yves Saint Laurent, ma in un modo diverso, Armani e? stato capace di sfumare quella linea di demarcazione tra i generi in un modo fluido, sensuale e libero.

You can listen to the dubbed podcast below:

 

Why You Need to Watch This Beirut Film By Cate Blanchett and Nadine Labaki

Lebanese director and actor Nadine Labaki has long been friends with Hollywood superstar Cate Blanchett, with the pair having more than philanthropic endeavors and movie experience in common. So, it was inevitable that the talented duo would join forces for something incredibly powerful, and that’s exactly what they have done creating an impactful film depicting the on going crisis in Lebanon.

The #keeptalkingaboutbeirut film reveals the brutality of the explosion at the Port of Beirut on August 4, 2020. The raw footage edited by Nadine Labaki, in collaboration with Lebanese filmmaker Elie Fahed, was captured by citizens and journalists, and shows the real state of Lebanon’s capital. The film’s script, which is narrated by actor Cate Blanchett, was written by Labaki and political activist Sara El-Yafi.

Celebrities Talk About Grief

With millions more people grieving due to Covid-19, Talk About Grief (TAG) is a national campaign to create a more empathetic, grief-aware culture – for each other and for our kids. On National Child Grief Awareness Day, November 19, Experience Camps is coming together with hundreds of partners nationwide to encourage people to share their grief.

Cate’s part starts at 00:52

Stateless dominates 2020 AACTA with 18 nominations

Refugee drama series Stateless earned 18 nomination in the TV category, including best telefilm or miniseries and acting nominations for Blanchett, Asher Keddie, Yvonne Strahovski and Jai Courtney, but co-star Dominic West missed out.

The show also scored multiple screenplay and directing nominations, as well as being nominated for editing, cinematography, casting and costume design.

2020 Armani Beauty Holiday Campaign, British Vogue Photoshoot, Corriere Della Sera Interview

   
Source: Vogue Italia, Vogue Arabia, Nine.Com.Au

Stuart X and This Changes Everything available on streaming
Posted on
Feb 2, 2020

Stuart X and This Changes Everything available on streaming

Hello Blanchetters!

Two projects from last year are now available on streaming.

This Changes Everything, an investigative look and analysis of gender disparity in Hollywood, featuring accounts from well-known actors, executives and artists in the Industry, is available on Amazon Prime/Starz. You can watch it here.

Stuart X, narrated by Cate and directed by Thibault Upton (that we thank for reaching out to us to let us know about this), is available on Youtube, and you can watch it below. Enjoy!

First look at “Sweet Tooth”, Australian fairy tale film narrated by Cate Blanchett
Posted on
Apr 8, 2019

First look at “Sweet Tooth”, Australian fairy tale film narrated by Cate Blanchett

Hey everyone!

New project with Cate!

Cate Blanchett is the narrator of new Australian fairy tale short film called Sweet Tooth. The 22 minutes movie, set in a fictional European town in 1780, is inspired by the classic narrative of Hansel and Gretel but focusing on the untold of the wicked witch and her gingerbread house.
Sweet Tooth is directed by Shannon Ashlyn and it is also a project proudly committed to pushing for change both in front of and behind the camera in terms of gender parity in the film industry.

No release date is available at the moment. However, stay tuned!

Synopsis

Once upon a time, there were a brother and a sister called Hansel and Gretel. The children stumbled through the dark woods, lost and afraid, until they came upon a marvelous house of sugar and spice and everything nice. That is the fairy tale we know. But there are always two sides to every story.
Many moons earlier, a little girl is born to a penniless baker’s maid – a baby blinded by the Red Devil’s disease. Together with her little brother, she must navigate a cold world and stand up to the hardened townsfolk who dislike them. But, as time passes, the children have fewer and fewer places left to hide and must seek refuge in the forest. Out there, it will be up to them to find a home where no one will ever find them. Until, one day, there would come a brother and a sister: Hansel and Gretel.

On Cate Blanchett being part of the project:

Cate Blanchett supports emerging female filmmakers

Albert Einstein once said, ‘If you want your children to be intelligent, read them fairytales. If you want them to be more intelligent, read them more fairytales!’ And who better to tell you a tale of dark forests and magic beyond your wildest dreams than the inimitable Cate Blanchett?
[…]

Blanchett has unquestionably given wings to these filmmakers as they step out onto the international stage with their first film. By endorsing this story, the Australian icon has not only elevated the film in a way they hardly dared imagine until it actually happened, but she has also made a clear statement about supporting emerging female talent going forth and claiming executive roles in filmmaking, the roles which are traditionally (and therefore disproportionately) filled by men.
The week the filmmakers approached Blanchett, Dr. Blasey Ford was standing trial in the Kavanaugh hearings in the US. It never felt more timely to be courageous and to go out on a limb for the sake of women everywhere. Witch hunts are far from being a thing of the past.
To Ashlyn and Shearer, the fact that Blanchett agreed to lend her voice and profile to Sweet Tooth is proof that when women unite, anything is possible, and that magic doesn’t just happen in fairy tales.

***

How did you convince Cate Blanchett to join the Sweet Tooth team?

Shannon Ashlyn: The answer is very simple: we just asked her – from the heart and with zero expectations. Mad as it sounds, we never imagined anyone else narrating, so when it finally came to it, I plucked up the courage to record a piece to camera explaining why I had written the film and why I believed its message might be something Cate may also deem important. Admittedly, it felt surreal…!
Katherine Shearer: That was the first, crucial step. But after that, it still took a lot of faith and support from the people around us to get our message to Cate. For instance, our casting agent and mentors at AFTRS really put themselves out there for us, even as first-time filmmakers. That was incredibly humbling, and we are so thankful. The fact that Cate actually agreed was – and is – a dream come true.


Teaser – Trailer

Poster

Official Website
Official Instagram
Official Facebook
IMDB
Source

Cate Blanchett voices a Mary River Turtle to support the Wilderness Society
Posted on
Jun 21, 2018

Cate Blanchett voices a Mary River Turtle to support the Wilderness Society

Hello dears!

Cate Blanchett manifests her love for the enviroment by taking part in new campaing promoted by the Wilderness Society: Save Ugly.

In the musical film below, directed by Zoe Bell (Cate’s stunt in Thor) advertising the need to save even the ugliest animal species, she lends her voice to the Mary River Turtle.


This bum-breathing turtle once pooped fruit seeds along river banks. How did it wind up on the endangered species list? For decades, the ‘Penny Turtle’ was caught and sold in pet shops. In 2009, a powerful campaign helped to stop its home on the Mary River in Queensland from being dammed. Now it’s slowly making a comeback.

Source

The Wilderness Society has today launched ‘Save Ugly’ — a radical new conservation campaign to raise awareness of all the ‘ugly’ creatures that help make life possible, warts and all.

‘Save Ugly’ is part of a major brand repositioning by The Wilderness Society, which aims to engage Australians of all ages and backgrounds. Rather than focusing on protecting the charismatic species — pandas, whales and tigers — The Wilderness Society is championing all the other vital parts of ecosystems.

The bits that aren’t so beautiful.

To mark the launch, The Wilderness Society has enlisted Hollywood actress and activist, Rosario Dawson, as well as a local cast of Aussie talent — including Cate Blanchett and Joel Edgerton — to feature in a three-minute musical comedy film, alongside a range of social media content and engagement activity.

Dressed as an Ethmia Clytodoxa Moth, the film features Rosario singing her way around Australia’s lesser known, uglier animals that help keep the world’s ecosystems functioning — such as the green, mohawk-wearing Mary River Turtle which breathes through its genitals, and the Southern Right Whale whose faeces provides much-needed nutrients to the ocean’s phytoplankton.

The campaign raises awareness that despite their ugliness, these quirky qualities are crucial for soil improvement, pollination, aquatic food webs and water purification.

The ‘Save Ugly’ Cast

Rosario Dawson as Ethmia Clytodoxa Moth
Cate Blanchett as Mary River Turtle
Joel Edgerton as Ghost Shark
Teresa Palmer as Southern Right Whale
Claudia O’Doherty as Phytoplankton
Erik Thomson as South-Eastern Long-Eared Bat
Samara Weaving as Ghost Bat
Sara Wiseman as Ghost Bat
Dan Wyllie as Giant Gippsland Earthworm

The Wilderness Society Australia national creative and communications director Rob Beamish said, “Our research shows people do care about the environment.

“But their concern is latent. They don’t see the immediate threat or consider other concerns more significant.

“Plus, there’s an emotional bias about green groups in people’s minds that hinders our ability to engage the mainstream.

“These challenges have called for a fresh approach that grabs people’s attention and makes the message super sticky.

“Starting with Save Ugly, we have a deep campaign strategy to overhaul the environmental protection regime in Australia, with new laws and a new body to monitor and enforce change.

“This campaign is the humorous tip of a very serious spear. Save Ugly is our excuse to start conversations about humankind’s need to preserve intact ecosystems, for our own survival. Then drive the change needed to reflect this in legislation.”

Along with a talented cast, the film has been produced by Curious Film and directed by none other than New Zealand-born Zoë Bell — famously known for her role as Uma Thurman’s stunt double in Kill Bill.

Commenting on her involvement, Zoë Bell said, “Everything about this project just felt good, start to finish. The guys at The Wilderness Society are amazing — taking a deeply worthy cause, and coming up with an entirely fresh concept. I feel so honoured to be a part of it.

“We had a stellar crew, and everyone — from construction, camera and costume, to producers, actors and puppeteers — were so excited to get involved and lend their support. It’s a true testament to the bold concept that is Save Ugly, and the desire of everyone to get behind such an incredible cause.”

Supporting the full visual rebrand — which includes a new website and logo design — the film will go live on the campaign landing page from today, supported by a series of short content pieces shared on The Wilderness Society’s social channels — encouraging people to show their support and donate to the cause.

“We’re incredibly grateful to have received such generous support on this project. Curious Film and Electric Dreams in particular have donated so much of their time to help bring this idea to fruition.

“It’s been a huge investment from all parties involved, but it just goes to show what can be achieved when groups come together for something they truly believe in,” Rob adds.

The Wilderness Society works to support life because life supports all of us.

People can get involved by making a one-off donation, supporting a campaign action,becoming a member, purchasing a Save Ugly t-shirt, or adopting an ugly animal.

Find out how you can help Save Ugly at ugly.wilderness.org.au.

Source